Although Greta Garbo takes top billing here - and she's great - I think this film really belongs to the on-form Melvyn Douglas as the scheming "Leon". He is the boyfriend of the Imperial Grand Duchess "Swana" (Ina Claire) who is living in exile in Paris. The newly formed Soviet Union is a bit broke, so three of it's finest representatives have arrived with what was her priceless jewellery so they can sell it on. "Leon" sees a chance for them to cash in so gets an injunction stalling the sale and that results in Moscow sending their best agent (Garbo) to get the job done. She's a no-nonsense communist in the best tradition, but she hadn't quite factored in the charismatic Frenchman who aims to firmly insert a spanner in the works. What now ensues is a delightfully funny drama that takes a swipe at the establishments of both nations, at the all too frequent ridiculousness of dogma and at flawed and quirky human nature. There's loads of chemistry here - all centring nicely around Douglas, and the triptych of her cohorts "Buljanoff" (Felix Bressart), "Kopalski" (Alexander Granach) and "Iranoff" (Sig Rumann) - who really just want to open a nice restaurant somewhere - add a nice touch of stooge-ness to the proceedings. As with Bergman and Dietrich, the camera simply loves Garbo and her slightest frown or smile speaks a hundred words. Seen here with a leading man who is charming and confident and with an entertaining story underpinning everything, this really is a jolly good watch.
Buck Boswell and his all-girl troupe are stranded in Paris, but Buck manages to con the manager of the 'Hotel de Navarre' in furnishing accommodations for his group, but the proprietor's wife locks them out. In his search for funds, Buck meets Patricia Harper, the fourth-richest girl in the world, but he isn't aware of that and thinks she is penniless. Patricia joins his troupe as a lark, and her father, James Harper, also pretends he is broke. Through some chicanery, Buck gets jobs for the girls as models at the Palace of Feminine Arts at the Paris International Exposition. James Harper borrows the priceless Napoleaon necklace to have a copy made for his daughter, but Buck thinks he stole it.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
Dictator Adenoid Hynkel tries to expand his empire while a poor Jewish barber tries to avoid persecution from Hynkel's regime.
When Billy Peltzer is given a strange but adorable pet named Gizmo for Christmas, he inadvertently breaks the three important rules of caring for a Mogwai, unleashing a horde of mischievous gremlins on a small town.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.