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"Sandra" (Léa Seydoux) is at a crossroads in her life. Her ageing, academic, father (the scene-dominating Pascal Greggory) has been diagnosed with a neuro-degenerative disease that is pretty much robbing him of his quality of life. He is an acclaimed philosopher who finds his increasing lack of ability to think and to remember exasperating. Meantime, she also reconnects with her old friend "Clément" (Melvil Poupaud). He delights in being called a cosmo-chemist (he studies meteoric dust using a rather impressive mass spectrometer). It's clear from the outset that these two have the hots for each other and, despite the fact that he is married with a young son, they embark of quite a lively affair. She is juggling her affection for him while struggling to find an adequate facility for her father; he is having a crisis of conscience as he falls more deeply in love but has his own family to consider. That's about the height of it. Even with the underlying - and rather depressing - analysis of the care provision for her elderly and increasingly failing father adding some gravitas to the film, the story itself is all a rather lacklustre drama centred around two people who are actually quite selfish. They both have responsibilities and as you'd expect, as their relationship develops, these become predictable millstones that we can anticipate all too readily. It has aspects of a soap to it, and though both leads are easy on the eye, I don't think either really have enough here to allow their characters to develop nor to really engage with an audience that has seen this sort of narrative unfold many, many, times before. It looks good - the filming and performances from the younger children are very natural, but at the end I was wondering what was different here. It will work fine on the television, but I doubt I will remember much about it in a fortnight.
Channing has it all: a beautiful home, a rock star lifestyle, and a loving husband intent on ruining it all by knocking her up.
A woman struggles to acclimate to prison life while her friend organises a labour strike on the outside.
Regina and Fernanda are the owners of a family hotel in the province of Buenos Aires that has lost the splendor of other times. Submerged in bankruptcy are by chance with a significant sum of money brought by a mysterious guest.
Herbie, the Volkswagen Beetle with a mind of its own, is racing in the Monte Carlo Rally. But thieves have hidden a cache of stolen diamonds in Herbie's gas tank, and are now trying to get them back.
Two teenage girls discover that mermaids really do exist after a violent storm washes one ashore. The mermaid, a sassy creature named Aquamarine, is determined to prove to her father that real love exists, and enlists the girls' help in winning the heart of a handsome lifeguard.
Streetwise swaggering Christopher "C-Dub" Wang is a suburban guy who waxes political on all things Asian American and clings to pro basketball pipe dreams. But when misfortune strikes his family, C-dub must overcome living at home, working a dead-end job and his worldly older brother, to run his Mom's ping pong classes and defend the family's athletic dynasty.
After finally breaking up with his drug-addicted lover, Trevor begins a new romance that unexpectedly complicates his other relationships.
Alyssa (Lana Boy) follows her artistic aspirations to Los Angeles, leaving behind her husband Luka (Emmanuel Berthelot), who promises to join her later. The pandemic-induced lockdowns force them apart, straining their relationship until the couple decides it’s best to separate. Upon returning to Paris to finalize her divorce, Alyssa finds herself engulfed in her past life with Luka and old friends, all of which have moved on. She starts to question whether she was selfish to leave her past life behind in pursuit of career goals. Should she have been happy with the “little life” she left behind? Could she have been?
Photographer Bob loses his girlfriend. A year later he meets Kathleen. Is she in love? Or does she use him for her dark dealings with the mafia?
On a tour of Britain in 1926, Harry Houdini enters into a passionate affair with a psychic out to con the famous magician.
In the racially divided town of Anderson, South Carolina in 1976, football coach Harold Jones spots a mentally disabled African-American young man nicknamed Radio near his practice field and is inspired to befriend him. Soon, Radio is Jones' loyal assistant, and he becomes a student at T.L. Hanna High School. But things start to sour when Coach Jones begins taking guff from parents and fans who feel that his devotion to Radio is getting in the way of the team's quest for a championship.
