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Chucky - (Apr 25th)
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Blood Free - (Apr 24th)
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X-Men 97 - (Apr 24th)
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There's loads going on in this musical caper with Jimmy Stewart as "Jimmy", a failed music shop owner who ends up working for his uncle "C.J" (Charles Winninger) who has a hate-hate relationship with the extended - and noisy - "McCorkle" family who live next door, and who are constantly practising their music - to the delight of the local community but to the chagrin of the old man. Stewart befriends the family, particularly the daughter "Molly" (Paulette Goddard) and is soon working to help them get gigs without his uncle knowing. When he has an opportunity to take over their one hour radio show, he gives them a chance to perform and events spiral out of control for all concerned. I'm not sure I'd want to be invited to a "McCorkle" supper, though - the musical preamble to their Irish stew must have rendered the dish stone cold by the time they actually started to eat it - and that summed up the whole effort, really: it's quite an engaging concept but without much pace, too many over-long set-piece musical routines, and at times it borders on the farcical. Stewart and Goddard have little, if any, chemistry between them and maybe it's only the redoubtable Mary Gordon "Ma McCorkle" who brings a bit of sparkle.
Bucum Jackson (Cube) is a bounty hunter with a lot of attitude and no interest in taking on a partner. Working at Martinez Bail Bonds, Jackson has unorthodox methods of tracking down low-life criminals, but they work, and one day he hopes to become his own boss and open up his own private investigation firm. Reggie Wright (Epps) is a slippery con artist who is avoiding the law, and Jackson. During a cat and mouse chase, the two stumble on a multi-million dollar diamond heist. Hiding from Jackson, Wright finds himself in the thieves' getaway van and ends up having to escape from them after they discover their booty is fake, much to the displeasure of their ruthless boss (Flanagan). When Wright meets up with his girlfriend (Mendes), he discovers that his recently purchased lottery ticket is the sole winner of $60 million. Unfortunately, his wallet, which held the ticket, was left in the thieves' van, so he persuades Jackson to help him get it back.
An Italian socialite on the run signs on as housekeeper for a widower with three children.
In this amiable Columbia B musical, society girl Ann Miller escapes her Back Bay family by performing in the chorus line in a burlesque house. But trouble starts when her boss (William Wright) decides to build her up as a star. One of the many bread-and-butter Columbia productions graced by the contributions of Cole’s in-house dance studio. Cole dances behind Miller in “I’m Gonna See My Baby.” -Museum of Modern Art
A vacuum repairman moonlights as a street musician and hopes for his big break. One day a Czech immigrant, who earns a living selling flowers, approaches him with the news that she is also an aspiring singer-songwriter. The pair decide to collaborate, and the songs that they compose reflect the story of their blossoming love.
As dancer Ginny Walker performs on stage, a veiled woman in the audience stands up, accuses Ginny of stealing her husband and then fires a gun at her. After Ginny collapses and is taken to her dressing room, the woman, Julia Westcolt, a friend of Ginny's, dashes backstage, discards her veil, and then congratulates her friend on their successful publicity stunt. When Ginny's press agents, Gus Crane and his son Junior, visit their client backstage, she brags about her feat and chides them for not being more creative in promoting her. Horrified at Ginny's brashness, Junior, a conservative Harvard graduate, chastises her and leaves the room.
A homage and parody of 1950s and 1960s Thai romantic melodramas and action films. Dum, the son of a peasant falls in love with Rumpoey, the daughter of a wealthy and respected family. The star-crossed lovers are torn apart for years, but their forbidden love survives. When tragedy strikes, Dum unleashes his rage and becomes the gun-slinging outlaw the "Black Tiger" who will stop at nothing to seek his revenge.
In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.
The vinyl record renaissance over the past decade has brought new fans to a classic format and transformed our idea of a record collector: younger, both male and female, multicultural. This same revival has made buying music more expensive, benefited established bands over independent artists and muddled the question of whether vinyl actually sounds better than other formats. Vinyl Nation digs into the crates of the record resurgence in search of truths set in deep wax: Has the return of vinyl made music fandom more inclusive or divided? What does vinyl say about our past here in the present? How has the second life of vinyl changed how we hear music and how we listen to each other?
The mice are on the loose after hours in a doctor's office, playing with the various pieces of medical apparatus. Susie Mouse is caged for research until her lover Johnnie frees her. A mouse orchestra plays a swinging wedding song. But throughout, a cat is stalking...
A wanna-be blues guitar virtuoso seeks a long-lost song by legendary musician, Robert Johnson.