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The Edbrook Haunting. Haunted is directed by Lewis Gilbert, who co-adapts the screenplay with Bob Kellett and Timothy Prager from the novel written by James Herbert. It stars Aidan Quinn, Kate Beckinsale, Anthony Andrews, Alex Lowe, John Gielgud and Anna Massey. Music is by Debbie Wiseman and cinematography by Tony Pierce-Roberts. Following the accidental death of his twin sister when they were just kids, David Ash (Quinn) has grown up to be a parapsychologist determined to debunk the existence of ghosts. Receiving an invitation from the Mariell family to investigate supernatural activity at their family home, Edbrook House, David accepts and quickly finds his life flipped upside down… It’s from the old fashioned school of horror, a period piece of some worth, but not one for anyone looking to be scared out of their wits. Actually the novel by the late great James Herbert was becalmed when judged by his superb standards, so it really will help any potential first time viewer to go into this expecting a more ethereal chiller than anything else. There’s an air of romanticism constantly hanging in the air, and with Gilbert nodding towards the likes of The Haunting for his scares and Don’t Look Now for the meditation on grief angle, it’s a film of mixed blessings. Also nice to see very good period design for the 1920s setting, while Roberts’ photography skilfully brings beauty to the English countryside and murkier tones for the inner workings of Edbrook House. Cast are fine, with Quinn and a perky Beckinsale creating good sensual chemistry, and Andrews and Lowe are suitably odd as the clearly off-kilter Mariell brothers. Massey, however, is not challenged by her role and Gilegud is only really filing in for an easy money cameo. It gets away from itself a little in the final stretch, where it’s not helped by some shoddy effects work, but there’s good value to be had in the picture. With grief, guilt, redemption and incest bubbling away thematically, and the spectral visage of David’s dead sister haunting the edges of the frame, film never lacks for literate effort or a sense of unease. The book is much better, mind. 7/10
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?
Rescued from the guillotine by his devoted dwarf Fritz, the Baron relocates to Carlsbruck, where he continues his gruesome experiments.
Young Victor Frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments.
Dracula kills another innocent victim and Dr. Seward decides it's time to wipe him off the face of the earth. Armed with a hammer and a wooden stake, he arrives at Castle Dracula and duly dispatches the vampire Count. Next day, however, Dr. Frankenstein arrives with his assistant, Morpho, and a large crate containing the monster. Using the blood of a pub singer who has been abducted by his creation, the doctor brings Dracula back to life and uses him for his own ends. The Count and a female vampire continue to terrorise the town, so Dr Seward once again sets out for Castle Dracula. Unfortunately, he is attacked by the Frankenstein monster and left for dead. Amira, a gypsy, rescues him and summons up a werewolf to do battle with the forces of evil...
Professor Frankenstein creates a teenager from an accident victim, who gets angry when he learns he is going to be taken apart.
Matter-transmitter sabotage leaves a British scientist (Bryant Halliday) disfigured and full of amps.
The Raffin Commissioner investigates the murder of an industrialist and it soon becomes apparent that the activities of the relatives of the deceased all revolve around the Folies-Bergere.
A psycho- sexual thriller following a couple that buys an old motel in the desert looking for a new beginning, but what seemed at first as an escape is soon a thrilling ride through a mysterious world when Ray discovers a two way mirror and witnesses a horrifying murder. In a twisted game of cat and mouse, Ray must race to save his wife and himself from a gruesome secret connected to the motel and the strange people who visit there.
In the 1960s, two classmates go looking for their missing friends and teachers, all of whom took part in an illegal book club, only to come face to face with ghosts and deformed monsters that have taken over their school.