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A Bite to Eat with Alice - (Apr 25th)
Claire Hoopers House of Games - (Apr 25th)
The 11th Hour with Stephanie Ruhle - (Apr 25th)
Swamp Mysteries with Troy Landry - (Apr 25th)
Grand Designs - (Apr 25th)
Watch What Happens Live with Andy Cohen - (Apr 25th)
Tribunal Justice - (Apr 25th)
Landward - (Apr 25th)
The First 48 Presents Critical Minutes - (Apr 25th)
A Decent Man - (Apr 25th)
Accused- Did I Do It - (Apr 25th)
Next Level Chef - (Apr 25th)
Beyond the Gates - (Apr 25th)
Swamp People - (Apr 25th)
Farmer Wants a Wife - (Apr 25th)
When No One Sees Us - (Apr 25th)
The 40th Anniversary of Chinese Film Since Chinas Reform and Opening-Up - (Apr 25th)
TNA iMPACT - (Apr 25th)
SurrealEstate - (Apr 25th)
Chateau DIY - (Apr 25th)
***A school for the deaf on a Maine island with William Hurt and Marlee Matlin*** A teacher (William Hurt) moves to coastal Maine to work at a school for the deaf on an island where he becomes interested in a striking, but disturbed janitor (Marlee Matlin), who was once a student there. "Children of a Lesser God" (1986) is part celestial and mundane; beautiful and profane. Thankfully there’s more beauty. The Northeast coastal locations are wonderful and Hurt makes for a worthy protagonist while expertly pulling off a difficult role. Marlee Matlin is an exquisite revelation without which the movie would’ve failed. Everything builds to a stunning dramatic scene in the second half, which is expertly executed. Unfortunately, the couple hooks-up a little prematurely. More time should’ve been spent with the journey to consummation. Nonetheless, there are great moments here. The film runs 1 hour, 59 minutes and was shot in New Brunswick, Canada (Rothesay, Saint John & Beaver Harbour). GRADE: B
Acclaimed teacher "James" (William Hurt) arrives at a school for the deaf where his very "hands on" techniques rather shake the established order of superintendent "Franklin" (Philip Bosco). His pupils make good progress, though, as his methods start to encourage them to speak more and act with much more confidence amidst each other and amongst the talking community at large. Soon they playing a bit of second fiddle to the enigmatic "Sarah" (Marlee Matlin). She's now the school caretaker and has a reputation as a bit stand-offish and temperamental, but it turns out that she, too, is deaf and that she has also been in this establishment for over twenty years. Most people around the place just put up with her, but he determines to try to get to the bottom of her obvious frustrations and see if he can't help her deal with them. Initially a job of work for the man, this soon becomes something more visceral and intimate for both - and that tests the mettle of just about everyone. It's probably a testament to Matlee's strong and characterful performance here that I just didn't take to "Sarah" at all. I found the character - whatever her background, an angry and somewhat obnoxious creature who offered little for me to feel sympathetic towards. Not in a woe-is-me type of sympathy, just in a general sense of there ever being a likeable person under all the baggage. Their frequent rows and tantrums come across as increasingly contrived and by the end I thought the writing was on the wall for the pair as far as the plot was concerned and I didn't really care whether she spoke or didn't. I do think that shows her skill as an actress, and to an extent William Hurt's as a foil, but somehow this film resonated far more for what it meant politically and sensually at the time as a pice of profound innovation than it did dramatically on screen..
Kati and Steffi have been best friends since they were six. Now they're both 17 and enjoying the ups and downs of becoming adults together. While Kati's parents are religious and conservative, but argue constantly, Steffi comes from what appears to be a harmonious and liberal family. But the girls discover how quickly their attractive world can fall apart when, at a hip nightclub, they happen to see Steffi's father in the arms of another woman. Steffi is shocked, her trust in her small perfect world shaken to the core. She can only think of one thing: revenge.
Will Keane, a Manhattan restaurateur, is content with his playboy lifestyle until he meets Charlotte Fielding, a free-spirited young woman. Together the pair pursue a passionate affair that forces them both to reevaluate what they want out of life, even as fate threatens to steal away their future.
On a university scholarship, a good natured student from the midwest gets a crash course in city life while dealing with three evil roommates. He befriends a virtually homeless college student whom he falls for, but she's dating a nasty professor.
Like some other kids, 12-year-old Trevor McKinney believed in the goodness of human nature. Like many other kids, he was determined to change the world for the better. Unlike most other kids, he succeeded.
The wife of an American doctor suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.
Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.
Germany 1982: The country is divided into two parts. Nele, coming from West-Germany, travels to East-Germany where she meets Captain, singer of a band. They fall in love with each other, but the regime "takes care" of their relationship, meaning: They can not see each other again. Germany 1990: The country is reunited. Nele starts searching their lost love...
An American girl, Daphne, heads to Europe in search of the father she's never met. But instead of finding a British version of her bohemian mother, she learns the love of her mom's life is an uptight politician. The only problem now is that her long-lost dad is engaged to a fiercely territorial social climber with a daughter who makes Daphne's life miserable.
Vittorio, an American novelist teaching in Rome, meets the beautiful but damaged Bianca and they rapidly fall into an urgent, tempestuous affair. He's hesitant over their relationship since she seems to thrive on conflict and is constantly baiting him into physical altercation. Bianca gives Vittorio an exquisite leather belt as a gift; he knows immediately that she wants him to whip her with it. Driven by his craving for her, Vittorio complies to Bianca's desire. Their relationship escalates into a dark realm of S&M which becomes more and more self-destructive.
Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.
Rome, 1984, Aria is nine-year-old girl. On the verge of divorce, Aria's infantile and selfish parents are too preoccupied with their careers and extra-marital affairs to properly tend to any of Aria's needs. While her two older sisters are pampered, Aria is treated with cold indifference. Yet she yearns to love and to be loved. At school, Aria excels academically but is considered a misfit by everyone. She is misunderstood. Aria finds comfort in her cat - Dac and in her best friend - Angelica. Thrown out of both parents' homes, abandoned by all, even her best friend, Aria finally reaches the limit of what she can bear. She makes an unexpected decision in her life.