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I realize that I gave this too many marks, but if there's anything I have realized about cinema, it can best be said by a line that I watched, performed by Jean-Louis Trintignant, where he stated (and I paraphrase), something like, 'I can't remember the movie, but I can recall my feelings', and that sums up nicely why I feel the way I do about the movie. It's an interesting idea acted well by very good actors (a lot of people dismiss Marlon Brando's work here, but I don't think it's that bad, honestly). If anything, the problem here is the movie doesn't know where to go after it's decent start.
**He who says every woman is a mystery to be solved.** One of the earliest films for Johnny Depp and very surprising. Thematically, the film is for the grown ups, but well made without too much sexual exploit. That means you can comfortably sit and watch with your family. This is not actually about Don Juan, but kind of 'The Fall'. I mean the flashback reveals everything and remains as a mystery. The story follows a man who himself declares the real Don Juan DeMarco, the greatest lover of the world. So he ends in a psychiatric centre for the treatment after trying to commit suicide. A doctor who is on the verge to retire set to treat him and when the DeMarco narrates his life story, the doctor too inspires to reinstate his romantic life. The remaining narration tells how they work out to solve the issue once for all. Not a masterpiece, but kind of interesting drama, particularly for how the film characters were drawn. And the story was built cleverly, till the final scene by giving out the viewers a positive message that worth living life to love and to be loved. So if you opt it for the title, not a bad choice, since the theme remains about the love, even the person you are looking for is not present. More like it is a metaphor, when it comes to the real Don Juan and the one in this film. Like people say god is everywhere, the love is as well and so the version/personality of Don Juan in every person. Johnny Depp was so good, an ideal person to play the title role. Marlon Brando was too great, in a simple way. The rest of the cast was not bad, but the entire film focused on these two than anybody else. It's been nearly 25 years since it came out, but I feel a remake would be not a bad idea with changes in the script. Todays writer and directors are clever at doing that, but it should come from a big banner with big names. Maybe Johnny Deep to play the doctor in the modern version. I hope some filmmakers read this and consider that. Meanwhile, it is a worthy film, so it a try. _7/10_
**_Brando, Depp and Dunaway in an amusing and inspiring romcom_** After a psychiatrist in New York (Marlon Brando) talks a young Lothario out of committing suicide (Johnny Depp), the supposedly delusional man is interned at a mental hospital for examination where his charisma has an interesting effect on the people. Faye Dunaway plays the doctor’s wife. "Don Juan DeMarco” (1994) is a whimsical romantic dramedy with psychological insights highlighted by the three stars. Brando was verging on 70 during shooting and would only do four more feature films while Depp was a rising star who wouldn’t hit it big for another five years, as far as box office success goes. While the movie performed mediocrely in America, it made almost three times its cost worldwide and thus was considered a success for New Line Cinema. This was Marlon’s beefiest role since “The Missouri Breaks” (1976) and “Apocalypse Now” (1979) with the rest of his late-era films having minimal parts (for big bucks). While it’s criticized that he “coasts” through the role of the psychiatrist, mumbling, his performance fits the fun, insightful and inspiring tone. Depp would team-up with Brando again for his dismal oddity “The Brave” (1997). The film runs 1 hour, 37 minutes, and was shot in Southern Cal (Saugus, Los Angeles and Santa Clarita) with second unit work done in O'ahu and New York. GRADE: B
A privileged girl and a charismatic boy's instant desire sparks a love affair made only more reckless by parents trying to keep them apart.
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.
Brad Wilson is a preoccupied, presumptuous, business man and husband to his neglected wife, Victoria. Until he meets with his colleagues and finds his best-friend is a playboy, with everything he wants in life especially any woman that he desires. After Brad plays high-stakes with Victoria as the prize, he finds himself against unfavorable odds.
Dale, Kurt and Nick decide to start their own business but things don't go as planned because of a slick investor, prompting the trio to pull off a harebrained and misguided kidnapping scheme.
Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.
After serving prison time for a self-defense killing, Sailor Ripley reunites with girlfriend Lula Fortune. Lula's mother, Marietta, desperate to keep them apart, hires a hitman to kill Sailor. But he finds a whole new set of troubles when he and Bobby Peru, an old buddy who's also out to get Sailor, try to rob a store. When Sailor lands in jail yet again, the young lovers appear further than ever from the shared life they covet.
When professors discover that an aimless janitor is also a math genius, a therapist helps the young man confront the demons that are holding him back.
New York, 1955. A stressed executive has recurring erotic dreams with a woman he cannot identify.
Teja bhai (Prithviraj), a well known don in Malaysia, and his sidekicks are the top news of major dailies. One day, he happens to fall in love with Vedhika (Akhila), a girl who happens to pass through his life. Vedika also lives in Kuala Lumpur and works as a helper in an orphanage. The film revolves around on the love between them, without Vedika knowing the real job of Teja.
The tragic love story between 17 year-old Gerat Lauter, who is in search of the truth, and his much older teacher Claudia, as it becomes a criminal case with state complicity in the chaotic GDR autumn of 1989.