La Barraca

A mute gunslinger takes on an oppressive landlord in 19th century Valencia and falls in love with a local woman.

Province of Valencia, Spain, 19th century. Tonet lives an intense love story with Neleta, whom he has known since childhood, but is forced to leave her to serve in the war in Cuba.

After his car breaks down, Jack seeks shelter, lost in a thunderstorm in a remote shack in the woods. He finds himself held at gunpoint by a deranged mountain man who lives there with his young wife. As the storm rages on, tension mounts in the small cabin. Matters reach a climax when Jack falls for the beautiful woman and tries persuading her to escape with him. Soon, the situation escalates into deadly violence...

Farmers and their families, engineers, technicians, criminals and prostitutes were acquired on the construction of industrial facilities in Zenica. Siba tries to help them, working with dedication and love that goes beyond his duty. It is difficult to satisfy everyone and achieve more in this scorching city and Siba makes mistakes, carried by desire to achieve the impossible. With great effort, the builders manage to overcome the maelstrom after the dam burst, and while the first iron runs from the new furnace, Siba, dismissed because of errors committed, leaves a boom town of Zenica.

Manuela de Fora, an elegant woman, widow of Pajares, lives with the sole obsession of marrying well her two daughters from her second marriage, Concha Blanca Jara and Amparo. She also has Juanito, son from her first marriage, but she despises him for wanting to be a merchant, like his father. Who really appreciates the laborious Juanito is his uncle Juan, a man of austere habits that blames his sister Manuela for wasting money to pretend being of high social position.

In a desperate attempt to make their voices heard by the government, two men and a woman, living in difficult circumstances in the Tin Shacks, take a diplomatic meeting with political officials, which turns into a hostage situation. Compelled by circumstances, they unwittingly find themselves cast in the role of terrorists, thereby exposing social inequalities and government indifference.

Salvador Mallo, a filmmaker in the twilight of his career, remembers his life: his mother, his lovers, the actors he worked with. The sixties in a small village in Valencia, the eighties in Madrid, the present, when he feels an immeasurable emptiness, facing his mortality, the incapability of continuing filming, the impossibility of separating creation from his own life. The need of narrating his past can be his salvation.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

Bill takes Trina into his depression camp cabin. Later, just as he finds showgirl LaRue who will support him, Trina becomes pregnant.

A young girl and her father are kicked out of their house by a cruel noblewoman, and the girl's heart is broken when her sweetheart, the noblewoman's son, won't go to Paris with them. After becoming an opera star in Paris, the girl returns to her homeland and finds her romance with the nobleman rekindled.

Valencia, Spain, in the early 1950s. Salvador and María, two unfortunate people, meet by chance when she takes shelter from the rain at the Oriente Cinema, where he works as a manager.