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Being Scottish, this movie really does a good job at showing off the scenery in and around Scotland. The story line of this movie keeps you on the edge of your seat all the way through the movie. Mel Gibson does a really good job with the accent and plays a great role as William Wallace in the movie. I cant help by want to stand up and shout FREEDOM! once the movie is finished. Could watched this movie another 1000 times and not get board of watching it. It's a must watch for any one who has not see it yet.
Historical flaws aside, Braveheart is a rousing spectacle. So it comes to pass in the year of 1995 (not a year of our lord I think) that Mel Gibson would craft the award winning epic that is Braveheart, a film that is historically bent in the extreme, that is directed by a man who would go on to have a less than favourable character reputation, and a film that has a heavy handed approach at times. It's also as choppy as a boat ride during a tidal wave, so yes, Braveheart is far from flawless folks. Yet the structure, the epic emotional swirls and sheer spectacle of it all marks it out as a rousing treat. It's a lavish gargantuan epic that somehow seems out of place for the year it was made, perhaps the secret of the films' success is because the 90s were crying out for an epic to get us hankering back to those halcyon days of Spartacus et al. Or just maybe the film punched the buttons of the public psyche because it is a great and grand thing to see the little people rise up and kick some ass? The oppressed and the bullied strike back as it were, surely that theme works for the normal human being? It's a sweeping tale that involves love, loyalty, honour, dishonour, treachery, death & heroes and villains. In short it ticks all the boxes for the genre it sits in (clinical bloody battles superbly full on). Gibson is William Wallace, and although he may struggle to nail the Scottish accent to fully convince at times, he more than makes up for it with his verve and vigour when delivering his lines - with the Sons Of Scotland speech at Stirling a particular iconic highlight. Patrick McGoohan is pure egotistical villainy as Longshanks, King Edward I, and the supporting cast also do sterling work (or should that be Stirling?). Brendan Gleeson, Tommy Flanagan, Catherine McCormack, Angus Macfadyen, and the wonderful James Cosmo all add flavour to the delightful scotch broth on the screen. The score by James Horner is appropriately tight to the themes at work in the piece, and the cinematography by John Toll was rightly awarded at Oscar time since he captured the essence of the film. Be it the lush rolling hills or the blood stained field in the aftermath of battle, Toll's work is critically in sync with the unfolding mood of the picture. So yes, damn straight, flaws and all, pic has the ability to lift and inspire many a discerning viewer. It does kick you at times, but as it does so, it also emotionally engages you from start to finish - to which the film deserves every accolade and award that it won. Because the grandiose epic had seemed long gone, but Gibson and his army brought it back to the modern era and made a genre piece fit to hold it's head up high with the greats of years gone by. 10/10
When i saw this I was 15 and it was one of the greatest movies I had ever seen. Fast forward to today, I'm 41, and degrees and history and... the battle of Sterling Bridge is like fingernails on a chalkboard whenever I see it. I watched it with my wife and, "no, she was like 3 and living in France." So I don't know. It was dramatic and moody and stylistically beautiful. It was a typical Gibson gore fest and that is always fun. It was well acted, the score added to the drama, and it spawned a movement in Scotland that they are still dealing with today... ... so it is still a really good film. It just, well... where the heck is the bridge?
Nine-year-old Frankie and his single mum Lizzie have been on the move ever since Frankie can remember, most recently arriving in a seaside Scottish town. Wanting to protect her deaf son from the truth that they've run away from his father, Lizzie has invented a story that he is away at sea on the HMS Accra. Every few weeks, Lizzie writes Frankie a make-believe letter from his father, telling of his adventures in exotic lands. As Frankie tracks the ship's progress around the globe, he discovers that it is due to dock in his hometown. With the real HMS Accra arriving in only a fortnight, Lizzie must choose between telling Frankie the truth or finding the perfect stranger to play Frankie's father for just one day...
While flying a routine reconnaissance mission over Bosnia, fighter pilot Chris Burnett photographs something he wasn't supposed to see and gets shot down behind enemy lines, where he must outrun an army led by a ruthless Serbian general. With time running out and a deadly tracker on his trail, Burnett's commanding officer decides to risk his career and launch a renegade rescue mission to save his life.
He fought his first battle on the Scottish Highlands in 1536. He will fight his greatest battle on the streets of New York City in 1986. His name is Connor MacLeod. He is immortal.
In the year 2024, the ozone layer is believed to have been destroyed. It is up to MacLeod and Rameriz to set things right. Opposition comes from both the planet Ziest (MacLeod and Ramirez's homeworld) and a corporation profiting from the supposed lack of ozone. Also, flashbacks show the story behind MacLeod and Ramirez's exile from Ziest.
Starts off in the 15th century, with Connor McLeod training with another immortal swordsman, the Japanese sorcerer Nakano. When an evil immortal named Kane kills the old wizard, the resulting battle leaves him buried in an underground cave. When Kane resurfaces in the 20th century to create havoc, it's up to McLeod to stop him.
Set in the frozen steppes of Mongolia, a young nomad is confronted with his destiny after animals fall victim to a plague which threatens to eradicate nomadism.
Four women are given into the custody of the Magdalene sisterhood asylum to correct their sinful behavior: Crispina and Rose have given birth to a premarital child, Margaret got raped by her cousin and the orphan Bernadette had been repeatedly caught flirting with the boys. All have to work in a laundry under the strict supervision of the nuns, who break their wills through sadistic punishment.
Determined to hold on to the throne, Cleopatra seduces the Roman emperor Julius Caesar. When Caesar is murdered, she redirects her attentions to his general, Marc Antony, who vows to take power—but Caesar’s successor has other plans.
As a wild stallion travels across the frontiers of the Old West, he befriends a young human and finds true love with a mare.
Frank Serpico is an idealistic New York City cop who refuses to take bribes, unlike the rest of the force. His actions get Frank shunned by the other officers, and often placed in dangerous situations by his partners. When his superiors ignore Frank's accusations of corruption, he decides to go public with the allegations. Although this causes the Knapp Commission to investigate his claims, Frank has also placed a target on himself.
An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers.