Clay

In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

Grappling with the burden of loss, a drifter becomes engulfed in the reckless lifestyle of a group of bohemians. Through a series of events, he is forced to confront his trauma as his haunted past and unconventional present collide.

A mysterious girl, Pennu, comes to a quiet village, creating a strange chasm among the male folks, breaking marriages and old friendships.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.

In an Algerian village, the workers of a salt mine go on strike because of low wages. The owner calls the army to control the men, but a young woman cuts off the water to force the troops to retreat.

Over the space of a summer, Liam filmed, edited, and released a single shot every day. The outcome? A documentary that blurs the line between fiction and non-fiction.

A French artist is kidnapped by three Scottish thugs, who force him to paint for them.