Le ultime ore di una vergine

Set amidst the 1999 student strikes in Mexico City, this coming-of-age tale finds two brothers venturing through the city in a sentimental search for an aging legendary musician. Shot in black-and-white, Güeros brims with youthful exuberance.

After his impetuous musician girlfriend, Samantha, dies in an accident shortly after they had a fight (and nearly broke up), a grief-stricken British businessman, Ian Wyndham, living in London gets a chance to relive the day all over again, in the hope of changing the events that led up to her getting killed.

A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.

Tone is the Thai equivalent of a 1960s youth rebellion movie, which is to say that there's no youth rebellion in it at all: Just good kids being good, dancing sedately, trying to get into good schools, drinking punch, bowling, and settling their romantic differences in the most clear-headed and amicable way possible - even if they do so while wearing some seriously funky period clothes and listening to that crazy longhair music. Fortunately, there are also some vicious underworld characters on hand so that we can still have the traditional Thai movie finale in which the Thai police show up en masse to shoot the hell out of some people.

A God-fearing bluesman takes to a wild young woman who, as a victim of childhood sexual abuse, is looking everywhere for love, but never quite finding it.

Sergei, an aspiring musician, accidentally meets a deaf-mute girl, Natasha, and falls in love with her. He has to change a lot to prepare himself for a new relationship with a different and very vulnerable person. Natasha is like an alien or an alieness with whom Sergei has to find a completely new language to speak. Natasha tries hard to understand his musical world. The problem is that Natasha lost her hearing during the war and associates sounds with fear and pain. Even a symphony concert is torture for her.

Santini's Network is a biographical film by German filmmaker Georg Brintrup on the life of Roman music collector Fortunato Santini and how his famous private assembly of manuscript scores grew into the greatest music collection of the age.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

A lonely and failed musician gets to know a young woman who lives in a next-door apartment, a victim of sexual and domestic abuse by her husband. On the anniversary of her mother's death, the woman shares a dish of fish soup with him and they spend some time together. The man knows about her victimhood and he feels sorry for her. One day when her husband is not at home, he comes and comforts her. But their relationships takes a different turn when her husband unexpectedly comes back.

This is a story of a talented and ambitious musician who faces a major crossroads in his life. Paul’s career has progressed to the point where he plays his own music in pubs, but he has struggled to go beyond that. It is a hand-to-mouth existence and Paul and his girlfriend, Sera, struggle to keep the bank balance in check. However, one day an important music producer sees Paul play and, realizing he has talent, offers him a big contract. Paul throws caution to the wind and signs the deal, certain that this is his big break. Unfortunately, the fine print in the contract stipulates that Paul make the kind of commercial music he vowed he never would, and also forces him to act under a stage name. Now, Paul must decide if he is willing to sell his soul for financial stability. And whatever he decides, he realizes that it will have a lasting effect on his career and on his life.

Cezars Kalnins installs telephones by day and composes pop songs by night. His band has a hard time receiving the permit from Soviet censorship authorities for a public debut. A member of the Culture Committee superficially listens to Cēzars' songs and deems the lyrics "unsuitable and frivolous” and "unfit for the Soviet youth”, and is later powerless to stop the grindstone of public debate, which she has herself initiated.