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The Young and the Restless - (Apr 25th)
Weatherman Walking - (Apr 25th)
Love Triangle - (Apr 25th)
Watch What Happens Live with Andy Cohen - (Apr 25th)
The Amazing Race - (Apr 24th)
WWE Main Event - (Apr 25th)
The 11th Hour with Stephanie Ruhle - (Apr 25th)
Bangers and Cash - (Apr 25th)
Pawn Stars- Best Of - (Apr 25th)
Deal or No Deal - (Apr 25th)
Not Dead Yet - (Apr 25th)
Motorway Patrol - (Apr 25th)
Renters - (Apr 25th)
Sister Boniface Mysteries - (Apr 24th)
The Whole Story with Anderson Cooper - (Apr 24th)
Animal Control - (Apr 25th)
WWE This Is Awesome - (Apr 25th)
Survivor - (Apr 25th)
The Girls on the Bus - (Apr 25th)
Dinner with the Parents - (Apr 25th)
The best psychological drama I've seen in a long time. I can't even remember anything that comes close.
**Something abstract and disconnected, not worth seeing more than once in our life.** This is one of those films that puts such a huge barrier between the audience and the screen that it seems like we're not even being taken into consideration by the producers. Despite the attempts, there is not a single sympathetic or palatable character, the script does not help and the feeling that hangs in the air is of a lack of connection and solidity in the final product that can only be explained if we think about the way the director wanted to be. abstract by force. Everything takes place around a chic striptease club, Exotica, in Toronto. There is a dancer who enchants not only a client who goes to see her every day, but also the presenter, who is her ex-boyfriend and one of the most possessive and unhappy people we can imagine. Add to this an animal trafficker with problems admitting homosexuality who is forced to participate in a revenge plan, and we have a film that we probably won't want to see more than once. Atom Egoyan gives us firm direction, but a much less secure and solid script. I like the way it addresses loss, trauma, the feeling of denial of reality and grief. However, to believe that a woman would set up an elegant strip club and her daughter would have the courage to take over the “family business” is to completely ignore the realities of these commercial establishments, where legality and illegality sometimes go hand in hand. A real luxury house would never hold private sessions on tables in the main room for a low price, but in separate rooms for a much higher price, and real strippers don't usually dance to the same music and use the same stage number constantly. There are also huge holes that the script never explains and that are left hanging. For example, why did Christina decide to become a stripper if it is clear, from the characters' words, that that is not the place she deserved to be. Bruce Greenwood is the actor who deserves the most praise for his work here. He is the only one trying to break the ice and reach out to the public in some way, and that deserves an applause from us. Elias Koteas is not that good, but he also does work that can be considered positive. Mia Kirshner, on the other hand, seems to be disinterested and just trying to make some money without much effort. Don McKellar is no better, and Arsinée Khanjian has an absolutely ill-conceived and poorly made character. On a technical level, it is an uninteresting film, to say the least. It is within the range of what one would expect to find in a film with aspirations to be commercial, but which seems to be more popular with festivals and film cycles than with the mass public. The positive highlight is the design of the strip club scene, something tropical I would say, and the soundtrack, which includes a good song by Leonard Cohen.
Lilja lives in poverty and dreams of a better life. Her mother moves to the United States and abandons her to her aunt, who neglects her. Lilja hangs out with her friends, Natasha and Volodya, who is suicidal. Desperate for money, she starts working as a prostitute, and later meets Andrei. He offers her a good job in Sweden, but when Lilja arrives her life quickly enters a downward spiral.
Rawang, an immigrant from Bangladesh living in awful conditions, takes pity on a Chinese man, Hsiao-kang, who is beaten up and left in the street. Rawang lovingly nurses him on a mattress he found. When he is almost healed, Hsiao-kang meets the waitress Chyi. His love for Rawang is put to the test.
A mother's preference for partying, boozing and running around with an assortment of sleazy characters results in her neglecting her nubile teenage daughter, who subsequently finds herself mixed up with horny teenage boys, scuzzy nightclub owners and murder.
A surreal triptych adapted by "Trainspotting" author Irvine Welsh from his acclaimed collection of short stories. Combining a vicious sense of humor with hard-talking drama, the film reaches into the hearts and minds of the chemical generation, casting a dark and unholy light into the hidden corners of the human psyche.
Teenagers living in small-town Oregon take a boat trip for a birthday celebration. When they get an idea to play a mean trick on the town bully, it suddenly goes too far. Soon they're forced to deal with the unexpected consequences of their actions.
A fatal plane crash changes the lives of Roman and Jake forever. Roman loses his wife and daughter in the accident, while Jake loses his mind—as he happens to be the air traffic controller who failed to avert the nightmare. Rage and revenge engulfs Roman and Jake finds himself swamped with guilt and regret.
An upper-crust family dinner is interrupted by a police inspector who brings news that a girl known to everyone present has died in suspicious circumstances. It seems that any or all of them could have had a hand in her death. But who is the mysterious Inspector and what can he want of them?
A youth group is preparing for what will be the summer of their life, including secrets, lies, sex, confusion, evenings and holidays.
Smilla Jaspersen, half Danish, half Greenlander, attempts to understand the death of a small boy who falls from the roof of her apartment building. Suspecting wrongdoing, Smilla uncovers a trail of clues leading towards a secretive corporation that has made several mysterious expeditions to Greenland. Scenes from the film were shot in Copenhagen and western Greenland. The film was entered into the 47th Berlin International Film Festival, where director Bille August was nominated for the Golden Bear.
A man receives a mysterious e-mail appearing to be from his wife, who was murdered years earlier. As he frantically tries to find out whether she's alive, he finds himself being implicated in her death.
It's five years later and Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenger yet - making it as a dancer on the Broadway stage.