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**_Subtitled “D-Day: Italian Style”_** Just before the D-Day invasion, a group of American paratroopers (led by Guy Madison) team-up with an American lieutenant impersonating a German officer (Peter Lee Lawrence) and a resistant fighter (Erika Blanc) to destroy a bunker on Omaha Beach with the controls of a device that would burn alive Allies in the water. An Italian/French production, “Hell in Normandy” (1968) is titled “landing head for eight relentless” in Italian and “beachhead for relentless eight” in French (translated, naturally). There’s some quality action and the Italian interpretation of American soldiers is entertaining. Meanwhile, redhead Erika Blanc spices things up as the French farm lass (she was 25 during shooting). The way her aged father is desperate to comply with the occupying troops of Hitler is an interesting touch. On the dubious side, the American fatigues appear to be mid-60’s Italian NATO uniforms with the wrong camouflage patterns and helmets, but passable for non-sticklers, I reckon. Meanwhile the German “secret weapon” and the Allied operation to destroy it smacks more of James Bond than history. Also, the Italian locations are a far cry from Normandy landscapes, but I’ve seen far worse geographical substitutions. At the end of the day, this is comparable to 60’s WW2 flicks, like “Battle of the Bulge” and “Anzio,” just on a lower budget and from an Italish perspective. The film runs 1 hour, 30 minutes. GRADE: B-/C+
A screenwriter with a violent temper is a murder suspect until his lovely neighbor clears him. However, she soon starts to have her doubts.
Navy SEALS mount an attack on Colombian special forces to clear their names and rescue a hostage.
Two fugitives land in hot water when they take a hostage who poses a threat to their well-being.
A woman sits at the beach and thinks over the past year of her life. The camera revolves around the woman ever closer as she remembers until we learn the truth of the events of her life.
Adrienne is trying to decide whether to stay in her unhappy marriage or not, and her life changes when Paul, a doctor who is travelling to reconcile with his estranged son, checks into an inn where she is staying.
A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province. He has already hired Turkmen tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diegetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.
A former child star torments her paraplegic sister in their decaying Hollywood mansion.
Marion is about to divorce from her husband and takes her 15-year-old niece, Pauline, on a vacation to Granville. There, she meets an old love...
