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Fine duo, fine romance, really really fine film. Gambler and dancer John "Lucky" Garnett (Fred Astaire) is engaged to Margaret Watson, being of a care free mind, and not a little gullible, John is hopelessly late for the wedding. Margaret's father is furious and demands that John go out into the real world and earn $25,000 to prove he has enough wits about him to do credit to the impending marriage. John and his trusty sidekick Pop Cardetti hit New York City, pretty soon John meets Penny Carroll (Ginger Rogers, after a less than favourable earlier meeting) at a dance school. After the initial hostilities from Penny subside, it's apparent that both John & Penny are a dynamite dance act, it's also obvious that both of them are starting to fall for each other, just what will their respective partners think of that then... I sat down to watch Swing Time and within five minutes I had a big smile on my face, that smile was to stay there right to the last second when the picture had finished. Rest assured here, Swing Time is most definitely a film to embrace and cherish. Of the ten musicals that Fred Astaire & Ginger Rogers made together, Swing Time arguably leads the way as being the most magical of the bunch. Sure the likes of Top Hat may have more vitality, but Swing Time comes with seamless precision. From the wonderful numbers and routines, to the feeling that this couple were hatched from the very same egg, it really is a marvellous piece of uplifting cinema to witness a pair of performers so completely in tune with each other. The plot set up is straight forward, and we of course lurch from one amiable plot turn to another, but we know that it's all coming together to entertain us via the presentation of its musical numbers. Music and lyrics come courtesy of Jerome Kern and Dorothy Fields, and they be corkers - Pick Yourself Up, The Way You Look Tonight, Waltz In Swing Time, Never Gonna Dance and the brilliant A Fine Romance. Yet the crowning glory is, and a sequence that should rank high on any list of great cinematic moments, is Astaire doing Bojangles Of Harlem, with black face makeup on (no offencive caricature here), the sequence builds to a pinnacle that sees Astaire dancing in triplicate with rear projection versions of himself - utterly fabulous. Wonderfully directed by George Stevens, whose real father appears in the film as Margaret's enraged father, and containing two great support performances from Victor Moore as Everett 'Pop' Cardetti & Helen Broderick as Mabel Anderson, Swing Time doesn't so much swing, it actually flows along like a perfectly formed ripple on a sea of joy. I feel sorry for those who have an aversion to musicals because they are sure to miss out, not only because of the wonderful artistry on show here, but also to feast on a film that can in a filmic sequence can lift you up out of your doldrums. 9/10
Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with an up and coming dancer, Nora.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
Although strangers Sara and Jonathan are both already in relationships, they realize they have genuine chemistry after a chance encounter – but part company soon after. Years later, they each yearn to reunite, despite being destined for the altar. But to give true love a chance, they have to find one another again.
After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.
Sara joins Julliard in New York to fulfill her and her mother's dream of becoming the Prima ballerina of the school. She befriends her roommates, Zoe and Miles, who teach hip-hop classes. She has ballet classes with the rigid and famous Monique Delacroix that she idolizes - Monique requires full commitment, discipline and hard work from her students. When Miles, who is a composer, invites Sara to help him compose the music for the dance choreography Sara's passion for hip-hop is sparked and she also falls in love with Miles. When she is assigned to perform Giselle in an important event, she feels divided between the technique of the ballet and the creative work offered by Miles.
A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.
Into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce!
New York City is full of lonely hearts seeking the right match, and what Alice, Robin, Lucy, Meg, Tom and David all have in common is the need to learn how to be single in a world filled with ever-evolving definitions of love.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Nick Venere has never been married and his best dating years are well behind him. He’s never heard the words "I love you” and figures he never will. Patty Amore has her share of problems, as well. Shy and introverted, she’s filled with various tics and nervous habits. A secret from her past, combined with her over-protective father, have caused her to withdraw from the dating game. But when Nick and Patty meet, literally bumping into one another, they share an immediate connection.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.