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The Good Stuff with Mary Berg - (May 14th)
7 Little Johnstons - (May 14th)
Contraband- Seized at the Border - (May 14th)
Mean Girl Murders - (May 14th)
Next Baking Master- Paris - (May 14th)
Summer Baking Championship - (May 14th)
WWE Raw - (May 14th)
The Veil - (May 14th)
Restoration Road With Clint Harp - (May 14th)
Seeking Sister Wife - (May 14th)
Ugliest House in America - (May 14th)
The ReidOut - (May 14th)
All In with Chris Hayes - (May 14th)
Motorway Cops- Catching Britains Speeders - (May 14th)
The Fortune Hotel - (May 14th)
All American - (May 14th)
90 Day Fiance- Love in Paradise - (May 14th)
Lets Make a Deal - (May 14th)
The Bold and the Beautiful - (May 14th)
The Price Is Right - (May 14th)
Fine duo, fine romance, really really fine film. Gambler and dancer John "Lucky" Garnett (Fred Astaire) is engaged to Margaret Watson, being of a care free mind, and not a little gullible, John is hopelessly late for the wedding. Margaret's father is furious and demands that John go out into the real world and earn $25,000 to prove he has enough wits about him to do credit to the impending marriage. John and his trusty sidekick Pop Cardetti hit New York City, pretty soon John meets Penny Carroll (Ginger Rogers, after a less than favourable earlier meeting) at a dance school. After the initial hostilities from Penny subside, it's apparent that both John & Penny are a dynamite dance act, it's also obvious that both of them are starting to fall for each other, just what will their respective partners think of that then... I sat down to watch Swing Time and within five minutes I had a big smile on my face, that smile was to stay there right to the last second when the picture had finished. Rest assured here, Swing Time is most definitely a film to embrace and cherish. Of the ten musicals that Fred Astaire & Ginger Rogers made together, Swing Time arguably leads the way as being the most magical of the bunch. Sure the likes of Top Hat may have more vitality, but Swing Time comes with seamless precision. From the wonderful numbers and routines, to the feeling that this couple were hatched from the very same egg, it really is a marvellous piece of uplifting cinema to witness a pair of performers so completely in tune with each other. The plot set up is straight forward, and we of course lurch from one amiable plot turn to another, but we know that it's all coming together to entertain us via the presentation of its musical numbers. Music and lyrics come courtesy of Jerome Kern and Dorothy Fields, and they be corkers - Pick Yourself Up, The Way You Look Tonight, Waltz In Swing Time, Never Gonna Dance and the brilliant A Fine Romance. Yet the crowning glory is, and a sequence that should rank high on any list of great cinematic moments, is Astaire doing Bojangles Of Harlem, with black face makeup on (no offencive caricature here), the sequence builds to a pinnacle that sees Astaire dancing in triplicate with rear projection versions of himself - utterly fabulous. Wonderfully directed by George Stevens, whose real father appears in the film as Margaret's enraged father, and containing two great support performances from Victor Moore as Everett 'Pop' Cardetti & Helen Broderick as Mabel Anderson, Swing Time doesn't so much swing, it actually flows along like a perfectly formed ripple on a sea of joy. I feel sorry for those who have an aversion to musicals because they are sure to miss out, not only because of the wonderful artistry on show here, but also to feast on a film that can in a filmic sequence can lift you up out of your doldrums. 9/10
The true-life story of Darby Crash, who became an L.A. punk icon with his band The Germs. Along with Lorna Doom, Pat Smear, and Don Bolles, Darby Crash completely transformed the L.A. punk scene, while sacrificing everyone he loved, his career, and ultimately his life.
After a run in with a hot exotic dancer one wintry night straight-laced prep school student James will find himself on the ride of his life. Risking his future he follows this mysterious woman to New York City - ditching school dodging cops and partying at hot nightclubs along the way.
Hammerstein and Kern’s Show Boat is a true classic of American musical theater - a tale of life on the Mississippi from the 1880s to the 1920s is both a poignant love story and a powerful reminder of the bitter legacy of racism. The exuberant production from the San Francisco Opera features songbook classics such as “Ol’ Man River” and “Can’t Help Lovin’ Dat Man”.
Two young women and their friends spend spare time at an exclusive nightclub in 1980s New York.
George Jetson is forced to uproot his family when Mr. Spacely promotes him to take charge of a new factory on a distant planet.
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
Pop king Michael Jackson solidifies his title with this release of fifteen past number one hits. Songs include "Don't Stop 'Til You Get Enough," "Thriller," "Black or White," and "Blood on the Dancefloor."
Previously only available in the "Billy Joel: My Lives" box set, this DVD features one of Billy's best concerts: Billy Joel live in Frankfurt, Germany in 1994 on the "River of Dreams" tour.
Jeffrey, a gay man living in New York City with an overwhelming fear of contracting AIDS, concludes that being celibate is the only option to protect himself. As fate would have it, shortly after his declaration of a sex-free existence, he meets the handsome Steve Howard, his dream man - except for his HIV-positive status. Facing this dilemma, Jeffrey turns to his best friend and an outrageous priest for guidance.
During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent school teacher.
The life and times of comedy rock band Mamonas Assassinas, from their beginning to their breakthrough in the late 1990s.