この子を残して

A young boy and his family set off on a sailing trip of a lifetime until a violent storm erupts, sweeping Michael and his dog overboard. After washing up on a remote island, terrified, they struggle to survive and adjust to life alone, One day, Michael discovers he is not alone when he is confronted by a mysterious Japanese man who has lived there secretly since World War II, angry that Michael has arrived. However, as dangerous invaders threaten their fragile island paradise, Michael and the old man, Kensuke, join forces to save their secret world.

The story centers on an elderly hibakusha, whose husband was one of 80,000 human beings killed in the 1945 atomic bombing of Nagasaki, caring for her four grandchildren over the summer. She learns of a long-lost brother, Suzujiro, living in Hawaii who wants her to visit him before he dies.

When Keiji Takama returns to Nagasaki, he finds many changes. The rights of the entertainment field that had been held by his family have been taken over by the Matsui Group, a new gangster setup. So he becomes head of the Takama Group to regain lost territory. With the cooperation of all the Bosses from Tokyo to Nagasaki, who had known his father, Keiji recovers the rights to put on shows at the City Hall. As he had feared, however, Matsui begins to interfere with his plans. Keiji's men are furious, but he knows better than to take up the cudgels with Matsui at this important time. Whatever Matsui does, Keiji goes one better. Frustrated and bitter, Matsui calls in the help of Koiwa, a killer. Now, having tried his best to oust Keiji but finding that he is made of sterner stuff than he had counted on, he decides to have Koiwa do away with him for good.

Nobuko (Sayuri Yoshinaga) works in Nagasaki, Japan as a midwife. Her son died 3 years earlier from the atomic bomb. On August 9, 1948, her son appears in front of her again. Since that time, Koji (Kazunari Ninomiya) appears in front of her and they reminiscence about pleasant times. These happy, but bizarre moments seem eternal.

Totsuko is a high school student with the ability to see the 'colors' of others. Colors of bliss, excitement, and serenity, plus a color she treasures as her favorite. Kimi, a classmate at her school, gives off the most beautiful color of all. Although she doesn't play an instrument, Totsuko forms a band with Kimi and Rui, a quiet music enthusiast they meet at a used bookstore in a far corner of town. As they practice at an old church on a remote island, music brings them together, forming friendships and stirring affections.

A baby, John, who was abandoned in the church with a horse-headed koto on his side. His grandfather was once a Morin Khuur player and died in the atomic bombing of Nagasaki. The brilliantly colored images have an avant-garde charm while hiding the sadness of the war, and will grab the viewer's heart.

Like many other young men of his generation, after Pearl Harbor was attacked, Aldo Giannini joined the Marines with little idea of what lay ahead. After training, he was quickly deployed overseas and fought in the bloody Battle of Tarawa, surviving with a shrapnel injury and the haunting memory of witnessing the loss of 3,250 U.S. lives. He went on to fight in other battles and returned home after 3 intense years of service. Nearly eight decades later, he still questions if winning the island was worth the price.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

An anti-war exploration of the filmmaker's experience with recurring nightmares about a potential nuclear apocalypse, through the lens of the bombings of Hiroshima and Nagasaki.

In 150 years, twice marked by total destruction —a terrible earthquake in 1923 and incendiary bombings in 1945— followed by a spectacular rebirth, Tokyo, the old city of Edo, has become the largest and most futuristic capital in the world in a transformation process fueled by the exceptional resilience of its inhabitants, and nourished by a unique phenomenon of cultural hybridization.

Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.