Morals for Women

New York girl has a dull boyfriend and seems destined for a dull marriage when she meets a rich playboy who has money to burn and places to go.

Grace Livingston is leading a happy life in her small town, with her mother and father, being courted by two men, the steady but predictable Tommy Tucker and the more ambitious, flashy, and worldly Dick Loring, who seems closer to Grace in his desire for travel and adventure.

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's infuatuated with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective.

Chorus girl Patsy Shaw crashes a high-society party, meets playboy Charlie Breen, they fall in love, and are on their merry way to wedded bliss. However, Charlie's snobbish, ever-loving mama doesn't think that Patsy is worthy and sets out to prove it.

Socialite banker Henry Judson maintains his extravagant lifestyle by embezzling from his bank, but is caught by sleazy assistant manager Waters and is blackmailed by him into continuing. Close to being found out, the two devise a scheme which sends Wally, the ex-con boyfriend of pretty hat check girl Rose Abbott, to death row.

Nancy Courtney, a once wealthy socialite, has had to struggle to maintain a facade of prosperity ever since her father's death. Although she loves writer DeWitt Taylor, who is indifferent to amassing a fortune, her mother urges her to marry stockbroker Norman Cravath instead. Nancy acquiesces to her mother's wishes but, despite the fact her new husband does everything he can to please her, she is miserable in her marriage.

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

During the Great Depression, all Broadway shows are closed down. A group of desperate unemployed showgirls find hope when a wealthy songwriter invests in a musical starring them, against the wishes of his high society brother. Thus start Carol, Trixie and Polly's schemes to bilk his money and keep the show going.

The popular monarch, Queen Christina of Sweden, must choose between love and loyalty to her nation when she unexpectedly falls for a Spanish envoy.

During the 18th century, German noblewoman Sophia Frederica, who would later become Catherine the Great, travels to Moscow to marry the dimwitted Grand Duke Peter, the heir to the Russian throne. Their arranged marriage proves to be loveless, and Catherine takes many lovers, including the handsome Count Alexei, and bears a son. When the unstable Peter eventually ascends to the throne, Catherine plots to oust him from power.