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And all - that - jazz! Far better than its iffy reputation suggests, The Cotton Club is guilty of being stuffed to the gills, but it also contains mighty fine film making that shows craft both behind and in front of the camera. Set in late 1920s Harlem, the pitch is an area of New York rife with swinging jazz, racism, crooks and gangsters. Prohibition and the depression fill the air just as the talkie movie bursts out of the silver screen. The Cotton Club of the title is the focal point for many of the key character's lives, so Francis Coppola, who stepped in at the eleventh hour of the troubled production, has many threads to juggle. He drops the odd one, but never to the detriment of the verve and swagger of the pic. Violence comes and goes, song and dance often dazzles the eyes and ears, and a cast of hundreds induces that good old game of spot the stars - past, present and future. The narrative has strength via the observations of a major part of America in great transition, with the art design ops and tech crew beavers aiding him considerably via some superb period flavourings There is no getting away from the slightness of some character strands, the director and co choosing to insert another, all be it delightful, dance or song number to fill the void, but the core of the story remains strong throughout. The underworld always looms large, the seedy side of the era pulses away continuously, while the cast enjoy the dressage and frontage of a key time in America's history. Flaws for sure but made with skill and passion and it never bores. Bravo! 7.5/10
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.
A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.
Clarence marries hooker Alabama, steals cocaine from her pimp, and tries to sell it in Hollywood, while the owners of the coke try to reclaim it.
Set in 1929, a political boss and his advisor have a parting of the ways when they both fall for the same woman.
Period musical about a song plugger who vows to turn an opera composer's music into popular hits.
Biographical movie about the early 20th century broadway stars Nora Bayes and Jack Norworth.
Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.
In the midst of trying to legitimize his business dealings in 1979 New York and Italy, aging mafia don, Michael Corleone seeks forgiveness for his sins while taking a young protege under his wing.
A New York gangster and his girlfriend attempt to turn street beggar Apple Annie into a society lady when the peddler learns her daughter is marrying royalty.
