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With money running low, nine New Yorkers forgo their annual Christmas in Aspen and head to Pennsylvania for a murder-mystery weekend.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
Monsters once lived in hiding—even from each other—because they were afraid they would be in danger if humans knew they existed. But Draculaura, the daughter of Dracula, along with her best ghoulfriends, dreamt of a school where everyone was welcome and accepted for who they are. Determined to make their dream come true, the ghouls travel the world on an epic adventure to recruit new students. But even in this amazing place, there's drama: a villainess zombie is spreading trouble rather than friendship, and every student must live with the fear that their secret will be revealed. Now the ghouls must save their school so that every monster has a place where they belong and their uniqueness is celebrated!
Fiona visits Paris for the first time to assist her myopic Aunt Martha. Catastrophes ensue, mainly involving Dom, a homeless man who has yet to have an emotion or thought he was afraid of expressing.
Practically a home movie, Lena (Dunham) asks her parents to say specific lines for a film she's shooting while they request to be let in her apartment.
The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.
Bridget Jones is an average woman struggling against her age, her weight, her job, her lack of a man, and her various imperfections. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. The fireworks begin when her charming though disreputable boss takes an interest in the quirky Miss Jones. Thrown into the mix are Bridget's band of slightly eccentric friends and a rather disagreeable acquaintance into whom Bridget cannot seem to stop running or help finding quietly attractive.
A group of college students stay at school over Christmas to work at a special exhibit in the college's fine art gallery. The students have little in common to each other. When they decide to hold an unplanned Christmas Eve dinner in the gallery, they stumble into a trio of bumbling thugs planning a Holiday Heist of the exhibit. As the students are held hostage, they are forced to learn about themselves and each other, the spirit of Christmas, and get the courage to work together and fight back to foil the thieves. With heartfelt talks, wild escapes, and Christmas romance - the night ends up being a Christmas Eve these new friends will never forget!
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
