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I watched this for Sion Sono's birthday and I should treat myself on directors' birthdays more often, goddamn. Exte was easily my "most uncomfortable" watch of 2019. I've only watched one other film of Sono's, so I knew he was very good when it came to gore, but I didn't know what to expect from him when it came to ghosts and ghouls. Dear Christ, I will NEVER be getting hair extensions for the rest of my life. Before I go into it, do remember, this was 2007. The CGI and such are not going to be amazing and top of the line. Watch this as you'd have watched a film you were going to see in the cinema in 2007 for the best impression of this film. With a very unique plot - I for one, have never come across a horror film personally that has hair extensions as the main "evil" object. This has drawn me in for quite a while and it's not hard to see why this has become a very influential horror film. Starting off very serious and dark this film promises quite a lot at the start. This does fade after a little while and we become a bit more upbeat and a little more fun. I'm not faulting the film for this - it must be pretty hard to keep a film about hair extensions murdering people to a degree of seriousness - however, it really does pick up after a while. Once the spooky things start going down, we get uncomfortable scenes of body horror (I wouldn't really call them body gore, but either way) that made me feel a little queasy and very uneasy. I was rubbing at my eyes, picking my lips and trying my best not to pause the movie and leave it for a while and return to it. Sono creates such a stunning piece of art that is so uneasy and makes the viewer squirm. Although the plot doesn't seem to make much sense. There's two different plot lines going on at once - the investigation of the woman murdered and a secondary plot following Yuko - and I don't think that the investigation got much attention once it first switches to Yuko. Both plots do eventually overlap and come together, but I just don't think this was done as 100% as it could have been. Everything comes to a close well, but I did find myself wishing for JUST a little bit more from Sono to bring this up just one or two notches. (And that bloody song is gonna be stuck in my head all day...) The ending is pretty vague and more of a horror-comedy piece than a horror, but that's who Sion Sono is, so definitely a plus in this situation. This all said, I do very much love this film. It's spooky, it's unsettling, it has definitely made me a little uneasy at the idea of having hair extensions. The atmospheric creation of Sono is something that I truly appreciate. The 2000s of Japanese horror have a legacy for their moments of unease and Exte is no different. Truly unnerving, extremely uncomfortable and breath hitching, this film truly is one of the gold films of the 2000-2010 Japanese iconic ghost horrors. All of the cast were amazing (and I can't imagine some of these scenes were easy to record either), and it really helped develop the film further. Again, I will never be having hair extensions and secondly, I think I have a new found fear of hair in general. Some of these scenes were just too creepy. (My only qualm is... doesn't Yuko have to like legally adopt Mami... not just move her into her place?)
An expedition in the South Pacific lands on a tropical island where the natives worship the mysterious deity Gappa. An earthquake opens up an underground cavern and a baby reptile is discovered inside. The natives warn the foreigners to leave the hatching alone, but they don't listen and take it back to a zoo in Japan. Soon after, moma and papa Gappa start smashing Tokyo looking for their kidnapped child.
High school student Shun Takahata is bored. Bored with the day-to-day monotony of school and life, he prays for change, for something exciting. Suddenly, he and his classmates are forced to play deadly children's games and facing terrifying creatures from a talking Daruma doll to a sharp-clawed lucky cat.
Masayuki Suzuki (Itsuji Itao) is known as "Datsugoku Oh" (King of Escape) because of his incredible ability to escape from any prison. Even though his ability to escape from prison was unmatched he would normally get caught within a few hours from his escape. He is then sent to Prison Island ... can he escape ?
The story of Osamu Dazai, one of Japan's most celebrated novelists, absorbed in alcohol and love; married and in a relationship with two other lovers.
The kingdom that floats above in the sky, that uses free doodles as an energy source, “Rakuga Kingdom.” However, now in the face of a lack in energy, they are on the brink of ruin. In order to force the creation of doodles, the kingdom’s army begins its attack on Kasukabe on the surface! Meanwhile, as the drawings begin to move, the hero who is bestowed the hidden treasure of the kingdom, the “Miracle Crayon”—is none other than the “super happy-go-lucky 5-year-old,” Nohara Shinnosuke!! Together as the “Almost Four Heroes,” Shinnosuke and the drawn doodles try to take back Kasukabe! Amongst that, they discover the weakness of the doodles, where they dissolve upon contact with water! To make matters worse, a raincloud that looks to start pouring at any moment hovers above… What awaits their encounter with the doodles and the end of their adventure—will it be smiles, or tears!?
Three American late teens travel to Japan to escape a sad past and have some fun but end up trapped in a house with a demented Japanese host family who plans to offer them to their gods in a sick ancient Japanese ritual.
News about the disappearance of panties is still being covered every day. Kyosuke still wears Aiko Completo's panties to battle evil. Meanwhile, Aiko has mixed emotions and decides to get her panties back. Kyosuke suffers from the loss of Aiko's panties and disappears, but his biggest enemy yet is about to materialise.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one. The turtles also assist a small village in an uprising.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
Yuka Shibuya, a struggling actress, and Hatsue, a widowed chestnut farmer, meet a mysterious, bloodied man in the farm. The three end up living together during chestnut season and form a special bond while a miracle slowly unfolds.