බද්දේගම

Rajini, a Sri Lankan Tamil girl, narrates the horrific tale of why she had to leave her homeland and become a refugee in India.

The son of a newly rich industrialist becomes embroiled in a murder cover-up.

An Indian tourist couple arrive in the hill country of crisis ridden Sri Lanka to celebrate their 5th wedding anniversary. But, when things take an unexpected turn, conflicts deepen revealing cracks in their relationship.

Two friends, Manoj (Gihan De Chickera), a bartender, and Stanley (Dharmapriya Dias), a fruit vendor, wish to immigrate to the West to seek their fortune, but have difficulties getting their visa applications approved. They come across an application to a handball tournament in Bavaria, and not even knowing what the game is, they submit themselves and a group of friends as the "Sri Lanka National Handball Team". For appearance's sake, they begin minimal training and then seek travel visas from the German Embassy. Their plans to simply escape into the West upon arrival in Germany are thwarted by the quick appearance of the tournament organizers and an arena of fans eager to see the prowess of the Sri Lanka National Handball Team.

A little girl is told by her parents that she is adopted. Determined to find her birth mother, her family eventually agrees to take her to Sri Lanka, where they encounter the militant group known as the Tamil Tigers.

A father and his daughter came to India as refugees post-war in their country. Few good hands help them to rebuild their lifestyle.

Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.

An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.

Three war-torn strangers posing as a family flee Sri Lanka’s civil war to start over in a troubled Paris suburb, but their past traumas resurface as they struggle to survive in their new environment.

(Eka Dawasaka Api / එක දවසක අපි) The day Parami appeared on Vimukthi’s eyes he found out that she is the one who he needed to his life. Later, a day with a tension mood these two soul mates get into a train with tears on their faces to ride their last train journey together. But Vimukthi’s family is strongly against to approve Parami as their daughter in law. The reason for disapproving Parami is her cast and status.

Vaishnavee (The Goddess), (Sinhalese: වෛෂ්ණාවී) is a 2018 Sri Lankan Sinhala drama thriller film directed by veteran director Sumitra Peries and produced by Mano Nanayakkara. 1930’s, Sri Lanka. Partly a compelling domestic drama, and a demonic love story, the narrative follows a puppet-maker who’s set to be married to a young girl. Unfortunately, the girl elopes with her secret lover. Devastated, the grieving puppet-maker ends up carving a puppet in her likeness, which eventually comes to life, setting in motion a fantastical chain of events.