Mater dolorosa

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

After the comedy of the same name of Mirza Fatali Akhundov.

Amalia is a 1914 Argentine silent film directed by Enrique García Velloso and written by Eugenio Py. It was based on the novel by José Mármol. The film starred Dora Huergo and Lola Marcó del Pont. It is the first full length film ever produced in Argentine cinema history.

The central figure is an old miser, a Harpagon of sorts, who, like Frosine, stashes his ill-gotten money in a secret cellar. While the miser is at the bank, exchanging stolen notes for gold coin, a couple of thugs witness the transaction and see their opportunity- It seems avarice grips the hearts of all those who'd possess the bag.

Robin Hood and his followers aid the poor and oppressed from their hideout in Sherwood Forest, pursued by the Sheriff of Nottingham.

A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Gevaërt and his daughter Marie show the latter's fiancé, Sergeant Tressignies, the system that opens or closes the swing bridge connecting the banks of the Yser. The Germans having taken this key position, the sergeant receives the order to reoccupy the house of the smuggler.

"Damaged Goods" pictures the terrible consequences of vice and the physical ruin that follows the abuse of moral law. It is a stirring plea for a pure life before marriage, in order to make impossible the transmission of hereditary traits to future generations. This film is presumed lost.

A quack doctor 'cures' a victim of venereal disease, whose baby is later born infected.