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You feel more than a little sense of deja-vu watching this film. Sure, the plot is pretty standard, that's fine - it's the fact that the few action scenes there are are "borrowed" from other films. Maybe the production deadlines were just too tight; the weather maybe conspired against the filming schedule - or maybe Duke just broke a nail? Anyway, the plot centres around Wayne's "Sheriff Higgins" who whilst pursuing bank robbers shoots his friend - well, at least that's what he thinks... We know differently, and as he gradually gets over his grief, he starts to pick up the pieces and sets out to sort out the baddies. It's all pretty run of the mill stuff for the star, with Lucile Browne adding the glamour and a slightly flat Gabby Hayes not quite firing on all cylinders either. This film is no worse than many of the others Wayne was making at the time, and once it gets going it's entertaining enough - it's just really sloppily produced and edited and could never be described as anyone's finest work!
A rancher comes home and finds that his son has been murdered and his daughter kidnapped by a bandit gang. He hires a professional tracker with a reputation for finding his quarry to help him find the gang and rescue his daughter.
Whip Wilson and Andy Clyde are back and Monogram's got 'em in Fence Riders. The Whipster comes to the aid of beautiful ranch owner Reno Browne, who is being victimized by rustlers Myron Healey and Riley Hill. To get Wilson out of the way, the villains frame him on a murder rap.
As executor of the owner's will, singing ranch foreman Gene must see that the daughter/heiress doesn't marry without his approval.
Gene takes care of three tough kids sent west from Chicago after their father died and left them a cattle ranch. They help him catch a bunch of rustlers.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.
Cattle king wants Reagan's small ranch, and Latina beauty Lola McLaughlin. His men kill Reagan's pregnant wife. Reagan leaves his tin badge on Consuela's grave, and with Winchester, scattergun, and Colt, rides alone against a hundred.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly - but the two soon become fast friends.
Ageing, wealthy, rancher and self-made man, George Washington McLintock is forced to deal with numerous personal and professional problems. Seemingly everyone wants a piece of his enormous farmstead, including high-ranking government men and nearby Native Americans. As McLintock tries to juggle his various adversaries, his wife—who left him two years previously—suddenly returns. But she isn't interested in George; she wants custody of their daughter.