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Ernest Thesiger is superb in James Whale's sequel to "Frankenstein" as the scientist who has perfected the art of growing rather than harvesting tissue. When he meets up with Baron Frankenstein's original monster they set about coercing the reluctant Baron to create a wife for the lonely Boris Karloff. This is a cracking tale of science fiction, horror and even romance as the monster ends up endowed with far more "humanity" than either scientist. Una O'Connor and Elsa Lanchester are both great too, though feature sparingly. The special effects stand better scrutiny than many a sci-film being made twenty years later and the cannibalised classical musical score brings tension, joy, love and despair a-plenty to compensate for, admittedly a rather stilted script. Easily amongst the best "Frankenstein" films ever made in my book.
**_Dr. Frankenstein and his former mentor try to create a mate for the monster_** The monster (Karloff) survives the windmill burning of the previous film and wanders the countryside of Bavaria while Doctor Pretorius (Ernest Thesiger) approaches Baron Frankenstein (Colin Clive) with the idea of collaborating to create a mate for the monster, which presumably will domesticate him. This Universal classic from 1935 was one of the first sequels to a mainstream film and arguably started the concept of a movie franchise or, at least, a cinematic trilogy: The 1931 movie, this sequel, and the follow-up “Son of Frankenstein” (1939) all feature Boris Karloff as the monster along with other overlapping actors and characters. It has a story arc and comes to a clear ending in the third flick. Valerie Hobson is a highlight on the female front as Elizabeth Frankenstein (replacing Mae Clarke from the first film). Meanwhile Elsa Lanchester plays the dual role of Mary Shelley and the titular character at the end. The prologue presents a glaring issue since Mary conveys this sequel to Lord Byron and Percy Bysshe Shelley not long after the success of “Frankenstein,” which was published in 1818. Since the film obviously contains fashions & technology of the early 1930s mixed with elements of the 1800s (which the director described as an “alternate universe”), Mary would have to be predicting what it would be like in the distant future, at least 1899 (which is the tomb’s date on a recently deceased woman in the story). This is one of those rare occasions where the sequel is better. It’s marked by increased camp (but not overkill), the monster’s memorable friendship with a blind man in the forest, and the fact that he learns to speak in a monosyllabic fashion (which Karloff objected to). It’s an iconic addition to the Frankenstein story, a Gothic horror tragedy highlighted by unforgettable renditions of the monster and his “bride.” The B&W movie runs 1 hour, 15 minutes, and was shot entirely in the studio at Universal Studios in Greater Los Angeles. GRADE: B+
A group of strangers trapped in a farmhouse find themselves fending off a horde of recently dead, flesh-eating ghouls.
Princess Farah refuses to marry Sinbad until Prince Kassim, her brother, is able to give his consent. However, the Prince's wicked stepmother, Queen Zenobia, has changed Kassim into a baboon in order to have her own son crowned as caliph. Sinbad, his crew, the Princess and the transformed Prince travel to a distant land, fighting every obstacle Zenobia places in their path, to seek the advice of a legendary wise man who can possibly tell how to end the spell.
The hilarity begins when professor Sherman Klump finds romance with fellow DNA specialist, Denise Gaines, and discovers a brilliant formula that reverses aging. But Sherman's thin and obnoxious alter ego, Buddy Love, wants out...and a big piece of the action. And when Buddy gets loose, things get seriously nutty.
Edward Carnby is a private investigator specializing in unexplainable supernatural phenomena. His cases delve into the dark corners of the world, searching for truth in the occult remnants of ancient civilizations. Now, the greatest mystery of his past is about to become the most dangerous case he has ever faced.
When Amy moves from her beloved Hawaiian Islands to study drama on the mainland, she has little cause to rejoice as a gang of vicious co-eds plots to make her life a living hell. With the aid of their boyfriends, the girls set Amy up as the target of a horrendous prank that results in the young girl falling victim to a brain seizure from which she may never recover. Seeking answers, her aunt Maelea arrives with a special Tiki doll - specially designed to kill! Through magic, she coaxes Amy's subconscious spirit to enter the idol's body and bring it to hideous life. Now the idol tracks down the students one by one to exact its grisly revenge in a relentless assault of Tiki terror!
Misty, the Mummy Raider (Misty Mundae) must battle an evil Neo Nazi scientist (Ruby Larocca) and an ancient, powerful mummy (Rich George) trying to raise the Fourth Reich.
Rootwood follows two students who host ‘The Spooky Hour’, a podcast about paranormal phenomena and urban legends. When they are hired by a Hollywood film producer to shoot a horror documentary about the curse of The Wooden Devil, they smell their chance to become famous. Together, with their friend, they enter Rootwood Forest and investigate the area to find out the truth about The Wooden Devil and his victims.
John Reilly discovers that his family's newly inherited castle in Italy is haunted by a relentless bloodthirsty creature.
Technoburger, a horror-satire anthology, uncovers the unnerving implications of technology addiction as four individuals' lives are disrupted by their digital obsessions, blurring the lines between reality and the virtual world under the omnipresence of a dominating tech corporation.
A governess put in charge of two young children begins to see the ghost of her dead predecessor.
A remake of the 1927 horror film "The Wizard". Dr. Larry Forbes arrives in a remote French village to visit his fiancée who lives with her scientist father Dr. Renault and his Ape-like manservant Noel. Several Murders coincide with Dr. Forbes arrival, with clues pointing in multiple directions.