Une scène d'hypnotisme II

A man and his wife stumble upon a town whose inhabitants turn into zombies and head for the edge of town every night... he seems to be the only one unaffected. What is happening to the townsfolk? Who is the mysterious young women he keeps seeing? Why isn't he affected?

Short documentary on a central african tribe called 'The Chillouks'.

Intended as a publicity film for Chrysler, Rhythm uses rapid editing to speed up the assembly of a car, synchronizing it to African drum music. The sponsor was horrified by the music and suspicious of the way a worker was shown winking at the camera; although Rhythm won first prize at a New York advertising festival, it was disqualified because Chrysler had never given it a television screening. P. Adams Sitney wrote, “Although his reputation has been sustained by the invention of direct painting on film, Lye deserves equal credit as one of the great masters of montage.” And in Film Culture, Jonas Mekas said to Peter Kubelka, “Have you seen Len Lye’s 50-second automobile commercial? Nothing happens there…except that it’s filled with some kind of secret action of cinema.” - Harvard Film Archive

A film projectionist longs to be a detective, and puts his meagre skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

A motorcyclist draws a red line in the middle of the desert. The line must never be broken, nor be passed.

Little Monsters presents some of the animal kingdom’s strangest survival strategies: poison dart frogs, chameleons, praying mantises and scorpions, to name but a few. Thanks to 3D visualization, large audiences can experience a chameleon thrusting out its tongue at close range, rattle- snakes striking at their targets to within fractions of an inch, praying mantises hunting and hummingbirds feeding, filmed from inside the flower! And with its ingenious combination of slow-motion 3D and timelapse 3D, “Little Monsters” even improves upon state of the art 3D for greater impact, yielding unbelievable scenes the world has never seen and “felt” before.

TV film, nominated for Best Experimental Series in 2010, in Streamy Awards.

This short film portrays a group of gay teens in Sao Paulo, Brazil, and their worldviews. The testimonies of 10 young people between 16 and 18 call attention to important issues and other issues that are just fun. Through the statements of this group, the documentary gives voice to the new generation and finds out what they think about identity, sexuality and prejudice.

Hutton's most impressive work ... the filmmaker's style takes on an assertive edge that marks his maturity. The landscape has a majesty that serves to reflect the meditative interiority of the artist independent of any human presence. ... New York is framed in the dark nights of a lonely winter. The pulse of street life finds no role in NEW YORK PORTRAIT; the dense metropolitan population and imposing urban locale disappear before Hutton's concern for the primal force of a universal presence. With an eye for the ordinary, Hutton can point his camera toward the clouds finding flocks of birds, or turn back to the simple objects around his apartment struggling to elicit a personal intuition from their presence. ... Hutton finds a harmonious, if at times melancholy, rapport with the natural elements that retain their grace in spite of the city's artificial environment. The city becomes a ghost town that the filmmaker transforms into a vehicle reflecting his personal mood.