Armor 2024 - Movies (Jan 6th)
We Live in Time 2024 - Movies (Jan 6th)
Venom The Last Dance 2024 - Movies (Jan 6th)
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Rally Caps 2024 - Movies (Jan 6th)
Love Of The Irish 2025 - Movies (Jan 5th)
Tom Davis Underdog 2024 - Movies (Jan 5th)
Paul Chowdhry Family Friendly Comedian 2024 - Movies (Jan 5th)
John Kearns The Varnishing Days 2024 - Movies (Jan 5th)
Seeking Mavis Beacon 2024 - Movies (Jan 5th)
The Beast of the Bales 2024 - Movies (Jan 4th)
A Different Man 2024 - Movies (Jan 4th)
VICE News Presents Searching for Masculinity 2024 - Movies (Jan 4th)
Cora 2024 - Movies (Jan 4th)
Bloody Trip The Equinox Killer 2024 - Movies (Jan 4th)
AMP House Massacre 2024 - Movies (Jan 4th)
Alien Weekend 2024 - Movies (Jan 4th)
Black Box Diaries 2024 - Movies (Jan 4th)
Disciples in the Moonlight 2024 - Movies (Jan 3rd)
Chris Jansing Reports - (Jan 6th)
Andrea Mitchell Reports - (Jan 6th)
Junior Bake Off Flanders - (Jan 6th)
I Escaped to the Country - (Jan 6th)
Deal or No Deal - (Jan 6th)
The Travelling Auctioneers - (Jan 6th)
Bargain Hunt - (Jan 6th)
Ancient Aliens- Origins - (Jan 6th)
Baddies Midwest - (Jan 6th)
Americas Funniest Home Videos - (Jan 6th)
Love During Lockup - (Jan 6th)
A Bite to Eat with Alice - (Jan 6th)
Letters and Numbers - (Jan 6th)
The Chase Australia - (Jan 6th)
The Journal Editorial Report - (Jan 6th)
The Ingraham Angle - (Jan 6th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Panair do Brasil revives the story of the most important commercial aviation company in Brazil, between 1930 and 1965, with its commercial daring in establishing routes to the four corners of a continental country, taking the adventure of air transport to never-before imagined places, as well as the first international routes. Four decades after it closed its doors, it still retains a marked presence in the country's collective imagination for its pioneering spirit and stories of heroic deeds and for the bewilderment which was aroused by the facts surrounding its closure during the military regime.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
A KISS FOR GABRIELA tells the story of a remarkable woman named Gabriela Leite. An activist for sex workers’ rights for over 30 years, Gabriela was the first sex worker to run for Brazilian Congress. The documentary presents an intimate portrait of her 2010 campaign when she faced 822 opponents and challenged a male dominated political system. Combining an observational style with unrestricted access, it explores what it means to be a prostitute, to be a wife, and most importantly, what it means for a woman representing one of the most stigmatized populations in the world to run for office. Gabriela’s charisma and amazing history of activism engages audiences and encourages them to reflect critically on laws and policies that restrict the rights and possibilities of women like Gabriela globally. For women like Gabriela who make history and challenge stereotypes with their campaigns, it is not whether they win or lose, or even how they play. It’s that they’re in the game at all.
All the lives of Cora Coralina in a poetic narrative in the voices, feelings and interpretations of six generations of great Brazilian actresses. A polyphony of the voices that inhabited Cora, revealed in prose, verse and images with its immense literary talent and human content. The film reveals the trajectory of Cora Coralina, from her childhood years to getting married and leaving Goiás, from the long period of 45 years lived in different cities in the state of São Paulo and her return to the City of Goiás, when she revealed herself to Brazil with the strength of his poetry.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
Waving the flag that states every film is political, Vincent Carelli visibilizes in this documentary the cause of the Guarani-Kaiowá: a group of indigenous people that fear their lands, located in the Mato Grosso do Sul, will be confiscated by the State. A territorial conflict born more than one hundred years ago, during the Paraguay war. While fighting against the Brazilian Congress in order not to be evicted from their homes, the 50.000 indigenous people demand the demarcation of the space that belongs to them. With some rigorous investigative work, the Brazilian director tells with his own voice of the social and political injustices suffered by the Guarani people through material he filmed over the course of more than forty years. The archive images, both color and black and white, reveal the crudeness with which they coexist every day: among the violation of their civil rights and the guts with which they confront the usurpers.
Chacrinha's legacy on TV and excerpts from his personal life are revealed through testimonials and archive images, which tell the story behind the cameras, the behind the scenes that consolidated a new way of communicating Brazil and the facets of a man who is one of the most interesting contemporary characters on the national cultural scene.
The documentary goes through the 23 years of MTV Brazil, taking stock from the avant-garde to the ostracism of the broadcaster that was the main guide for the musical, cultural and social formation of young people in the 90's and 2000's with interviews and testimonials from former VJ's and artists that emerged and became popular in the country because of the channel.
The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.