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**The pictures tell us all the story, and when it does, you'll be heartbroken!** This was nominated for the Oscars, but did not win. I should have watched it earlier, but I don't know how I forgot it and moved on. Recently noticed that I've missed it, so finally gave it a try and I really liked, but very sad to learn what the film narrated. This is a biopic, an aged photographer who traveled world revealed his experience with those horrifying encounters the humanity ever saw. From South America to Europe and Africa to Pacific Asia, he takes us back to the 70s, 80s and the 90s. His pictures tell us all the story, but when he explain more surround those pictures when he had taken them, that's where not just me, anybody who sees this documentary would be heartbroken. Initially I thought it was just a photo exhibition from the past 40- 50 years of his life, but after the opening few minutes, it kicked off from Brasil to the different parts of the world, like how people suffered from our own mistakes. Also the nature like the oil fields in Iraq, polar and sea animals, tribes, all are very fascinating, as well as upsets with the facts that causing all those troubles. Before watching this I thought it might tell about actual salt of the Earth, the chemistry, to brief its past, present and future. But what the film revealed was shocking and at a time, thanks for being very bold, for the present world, it definitely needed. This is just one man's experience, we don't know what might have happened behind when there is no camera to capture the moment and to tell the story to the rest of the world. A must see film, a documentary film like this is never late to see, even if it takes a lifetime to watch, you must take that chance and do that before you die. I have seen lots of documentaries like this, but this is not a message deliverer, it just finger pointed to our mistakes. You will learn some of the history that you ever learnt from your school, college textbooks or from your own journey around the world. So definitely these pictures are priceless. Not to admire, but to remind not to repeat in the future. I hope you watch it right away after reading my review. _8/10_
This documentary follows the French soccer team on their way to victory in the 1998 World Cup in France. Stéphane Meunier spent the whole time filming the players, the coach and some other important characters of this victory, giving us a very intimate and nice view of them, as if we were with them.
Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Man Ray shoots from a window on 31 bis rue Campagne-Première, in the heart of Montparnasse, where he rented a ground-floor studio.
Home movie from Man Ray while on vacation with Pablo Picasso, Paul, Nusch and Cecile Eluard, Emily Davies, Valerie and Roland Penrose. The friends have fun with themselves and performing for the camera.
November 2017, North of Paris : H. Reiner-Onet cleaning company workers are fighting an exemplary battle. This 45 days strike, one of the longest in the history of the French railway, led by these men and women, ended in a decisive victory against two giants, Onet and the SNCF. One of the most impoverished sectors among railway workers, they had no previous experience with striking or organized struggle. How did they pull such a victory ? Their dermination to fight was undoubtedly the key to winning, but so are the links they forged with revolutionary activists who brought with them a tradition of fighting for workers against employers.
Satirical artist and art director, Suzanne Heintz, adopted her fake family more than 15 years ago to challenge persisting stereotypes about women's lives.
