Fusil Fotográfico

Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.

Two kids go hunting for ghosts to help their dad run a burger cafe. An epic sequel to Hardcastle's "T is For Toilet" segment of the horror anthology film "The ABCs of Death", it takes place 12 years after the accident.

A room hangs in a dark void, as a character searches for his last fleeting possessions.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Away from her home in Hong Kong, Vivi records her daily life as a member of Loona in a video letter to her parents.

Leah and Purity are rangers in the Kenyan bushland. They roam around Amboseli National Park every day to track down wildlife. The Maasai shepherds also have their villages here. Conflicts can hardly be avoided. The young women are often called to missions to mediate or comfort. The two Maasai women themselves have to fight against discrimination

Juana, Mar, and Eduardo tell their stories of abuse.

The story of Lupe & Bruno, she is in love and he doesn't seem interested. The story unfolds at the public transport stop as they grow up.