Tuesday 2023 - Movies (Jul 26th)
Sick Girl 2023 - Movies (Jul 26th)
The Garfield Movie 2024 - Movies (Jul 26th)
The Omicron Killer 2024 - Movies (Jul 26th)
Visher 2024 - Movies (Jul 26th)
What Lies Under the Tree 2023 - Movies (Jul 26th)
To Kill a Stepfather 2023 - Movies (Jul 26th)
The Girl in the Pool 2024 - Movies (Jul 26th)
Non Negotiable 2024 - Movies (Jul 26th)
House of Gaa 2024 - Movies (Jul 26th)
Deadpool and Wolverine 2024 - Movies (Jul 25th)
The Canterville Ghost 2023 - Movies (Jul 25th)
Aliens Abducted My Parents and Now I Feel Kinda Left Out 2023 - Movies (Jul 25th)
Arctic Armageddon 2023 - Movies (Jul 25th)
Assault on Hill 400 2023 - Movies (Jul 25th)
Transmorphers - Mech Beasts 2023 - Movies (Jul 25th)
Fly Me to the Moon 2024 - Movies (Jul 24th)
Mr. Manhattan 2024 - Movies (Jul 24th)
The Strangers Chapter 1 2024 - Movies (Jul 24th)
Arcadian 2024 - Movies (Jul 23rd)
Thelma 2024 - Movies (Jul 23rd)
Deadline- White House - (Jul 26th)
8 Out of 10 Cats Does Countdown - (Jul 26th)
Gutfeld! - (Jul 26th)
Jesse Watters Primetime - (Jul 26th)
Outnumbered - (Jul 26th)
Special Report with Bret Baier - (Jul 26th)
The Great House Giveaway - (Jul 26th)
MSNBC Reports Andrea Mitchell Reports - (Jul 26th)
The Last American Vagabond - (Jul 26th)
Watch What Happens Live with Andy Cohen - (Jul 26th)
The 11th Hour with Stephanie Ruhle - (Jul 26th)
Trucking Hell - (Jul 26th)
No Place Like Home - (Jul 26th)
George Clarkes Amazing Spaces - (Jul 26th)
Masters of Illusion - (Jul 26th)
Worlds Funniest Animals - (Jul 26th)
The Cook Up with Adam Liaw - (Jul 26th)
Dateline- Unforgettable - (Jul 26th)
After the First 48 - (Jul 26th)
Hard Quiz Kids - (Jul 26th)
I'd like to know why films like "Alice Sweet Alice" aren't mentioned nearly as much as they deserve nowadays. The fact that this film is overlooked and forgotten, makes me realize that many horror fans in training wheels are somehow missing out on a horror gem that is worthy of their attention. I suppose it is because people mostly tend to eulogize those films that try to be figurative and subtle even if are not enjoyable whatsoever. I find it hard to believe that this film was to a certain degree inspired by Nicolas Roeg's "Don't Look Now", because if I have to be honest, the only connection I can see, would be the usage of raincoats throughout the entire film as an emblematic element. One of the main differences between these two films is precisely what I was mentioning before: in "Don't Look Now", Mr. Roeg tried offers a pitiful excuse for a horror film full of fake and nonsensical symbolism and mind-games, while "Alice Sweet Alice", delivers pure and crude horror at its best with a very agreeable twist in the end. I know this is an independent horror film that probably didn't even get much attention when it came out, but honestly, I don't see why. This is one of those films that came out during the mid 1970s in which the stories were pretty plain at first sight and the ending could be somehow taken for granted. In "Alice Sweet Alice", the attention is mostly focused on the main character's psychology, which is Alice Spages (Paula Sheppard), an introverted 12 year old girl who lives with her mother (Linda Miller) and her spoiled little sister Karen (Brooke Shields). In this gruesome family drama, we see Alice as a manifest outcast who constantly tries to get her mother's attention by tormenting her little sister, who is obviously the one everyone loves and prefers. Fortunately (or perhaps unfortunately) for Alice, her sweet sister Karen is brutally murdered during the day of her first communion by the hand of a merciless killer wearing a mask and a yellow raincoat. As it is expected, all the fingers start pointing directly to Alice, since her jealousy and strange withdrawn manners match with her sister's perplexing slaughter Regardless of the obvious feelings surrendering Alice, her mother refuses to believe that her only daughter left is a raging murderess and confronts everyone who stands in her way just to prove the world that her sweet little girl is incapable of killing a bug. Sadly, Alice's violent behavior and the evidences don't help very much. While Mrs. Spages and her former husband Dom desperately try to convince the others that their sweet Alice is not a premature murderess, the body count increases in the most dreadful ways and the victims are coincidentally Alice's declared rivals. Clearly, this film could be taken as some kind of overlooked slasher film, but I myself find it compelling enough to be compared to some of the most respected horror gems that people worship nowadays. Nevertheless, "Alice Sweet Alice" is a simple film when it comes to the way it was filmed and the lack of pretentiousness made it forgettable for some 'serious movie fans'. All I know is that this film will be highly appreciated by most horror fans and anyone who is in the mood to see a well-done psychological horror gem that doesn't try to emulate complex situations to captivate the audience and trick them into believing that there's any form of symbolism at all. It's a horror film that includes vicious murders and a respectable body count, without turning into a pointless butchery that can only cling to gore. The psychological and 'respectable' side is present here as well, but Mr. Alfred Sole simply didn't need to brag about it and deceive the audience with misleading sequences.
When an abused wife grows to giant size because of an alien encounter and an aborted murder attempt, she goes after her cheating husband with revenge on her mind.
One year ago on November 2, seven people sat down to dinner at the Luxembourg. One of them, Rosemary Barton, never got up. She was thought to have committed suicide due to post-flu depression.
A twisted man holds a TV newswoman and a girl hostage in the bowels of Grand Central Station.
When one of them breaks a leg, five friends snowboarding in the Norwegian mountains take shelter in an abandoned ski lodge and soon realize they’re not alone.
Eight women gather to celebrate Christmas in a snowbound cottage, only to find the family patriarch dead with a knife in his back. Trapped in the house, every woman becomes a suspect, each having her own motive and secret.
In the early Middle Ages, two Christian knights set off to christen a small pagan village hidden deep in the mountains. Despite the differences in their views and perspectives on religion, the two men become travel companions and create a father-son relationship. As they settle into the local community, their faith, belief system and the bond between them are all put to the test. Soon, love is confronted with hate, dialogue with violence, madness with rules and many will have to die.
Arthur and his two children, Kathy and Bobby, inherit his Uncle Cyrus's estate: a glass house that serves as a prison to 12 ghosts. When the family, accompanied by Bobby's Nanny and an attorney, enter the house they find themselves trapped inside an evil machine "designed by the devil and powered by the dead" to open the Eye of Hell. Aided by Dennis, a ghost hunter, and his rival Kalina, a ghost rights activist out to set the ghosts free, the group must do what they can to get out of the house alive.
A student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself – which seeks out those who escaped their fate.
When a notorious German serial killer is captured after committing some of the most heinous acts against humanity ever imaginable, a farmer and police officer from a sleepy rural community on the outskirts of Berlin is drawn into the case as he searches for the answers to a murder that has shaken his tight-knit community.
On a dark October night, a young woman finds herself being followed by a mysterious figure.
Failed architect, engineer and vicious murderer Jack narrates the details of some of his most elaborately orchestrated crimes, each of them a towering piece of art that defines his life's work as a serial killer for twelve years.