Nursery University

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

A grandmother living in a small Kenyan village completes her final year of primary school at the old age of 94.

In Vancouver, British Columbia, two teenagers attempt to create a feature length documentary about their lives. The main character James (played by himself) becomes obsessed with the project and is pushed into a more introverted, lonely existence. His best friend Quinn (played by himself) sets out to help him, but is met with the real answer as to why James is keeping himself inside: the rejection of what he thinks is the love of his life. The two of them go their separate ways, with James going deeper into a depression he’s not sure he can escape from.

Third installment in Stefan Nadelman's ongoing short doc series about his father and the infamous Terminal bar in NYC.

Fourth short film in Stefan Nadelman's look at the time his father spent at The Terminal Bar in NYC. This time Nadelman shows the pictures he took of the garbage can directly outside which serves as yet another portal into the streets at that time.

From 1973-1981, bartender Sheldon Nadelman shot over 1,500 black and white photographs of his customers at the Terminal Bar, located in midtown Manhattan. These are their stories as recollected by Sheldon 25 years after the bar closed its doors for good in 1982. Last Call examines a broad swath of the bar's clientele, some of them regulars, some of them one-offs and uncovers these never-before-heard stories of a bar community that would otherwise be forgotten.

A look at the gritty world of New York through the eyes of Sheldon Nadelman, bartender at the old Terminal Bar. A follow up to the prize winning short from 2002.

In an age when misinformation, alternative facts, and conspiracy theories have become mainstream, UFOs have risen to become one of the most-talked about pop culture phenomena. With all of this noise, how can we expect anyone to know how much of this is true? What is in our skies? What do we know, and how do we know it? And most importantly: Are we being visited?

In this meditation on contemporary race relations, two black men discuss in voiceover certain “casual” events in life and cinema that are unnoticed or discounted by whites—gestures, hesitations, stares, off-the-cuff remarks, jokes—details of an ideology of repressed racism.