Opus 2025 - Movies (May 29th)
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Captain America Brave New World 2025 - Movies (May 29th)
Russell Peters Act Your Age 2024 - Movies (May 28th)
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Mike Birbiglia The Good Life 2025 - Movies (May 26th)
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Taskmaster - (May 29th)
7 Days Series - (May 29th)
Claire Hoopers House of Games - (May 29th)
Money for Nothing - (May 29th)
The 11th Hour with Stephanie Ruhle - (May 29th)
Poker Face - (May 29th)
Law and Order- Organized Crime - (May 29th)
The Tucker Carlson Show - (May 29th)
Celebrity Wheel of Fortune - (May 29th)
Summer House - (May 29th)
Court Cam - (May 29th)
Sitting Bull - (May 29th)
Black Rock Shooter- Dawn Fall - (May 29th)
Bugs That Rule the World - (May 29th)
Gordon Ramsays Secret Service - (May 29th)
Taking the Stand - (May 29th)
WWE Evolve - (May 29th)
Earnhardt - (May 29th)
Leverage- Redemption - (May 29th)
Adults - (May 29th)
Jerry's the salt of the earth, but he's not the right seasoning for you. Clash by Night is directed by Fritz Lang and adapted to screenplay by Alfred Hayes from the play written by Clifford Odets. It stars Barbara Stanwyck, Paul Douglas, Robert Ryan and Marilyn Monroe. Music is by Roy Webb and cinematography by Nicholas Musuraca. Tis a tale of stilted raw passions, frustrations and wrong decisions that unfurl in a California seacoast fishing town. Essentialy it finds Stanwyck as Mae Doyle who returns to her home town fishing village of Menterey, Calif. She's bitter and unfullfilled and marries the amiable but not very bright Jerry D'Amato (Douglas) in spite of both their better judgements. With her being inexplicably drawn to Jery's woman hating friend, Earl (Ryan), and her brother Joe (Andes) fretting that his sister Peggy (Monroe) will be corrupted by Mae's bitterness, it's a hotbed of character fallibilities. To my mind It's all very stagy and a little too overwrought, and frustrating given that the themes within the play looked to be perfect for the great Fritz Lang. Not that it's either a stinker or a critical bomb (like the play itself), it isn't, it's just too soap opera to fully ignite the thematics at the core of the story. On the flip side, aside from Douglas' awful histrionic laden peformance, the acting is top notch. You may not care about these characters but you can't be anything but very involved and hang on to see what will happen to them all. Dialogue is a plus point, resplendent with barbs and choiceisms, while although the also great Musuraca is not in is chirascuro element, there's enough atmospheric photography - particularly when story plays out at the docks setting - to catch the eyes with mood compliance. Unfortunately the unconvicing sets are matched by the wholly unconvincing and disappointing finale. Just above average and lower tier fare on the CV's of Lang, Ryan and Stanwyck, it does however serve notice of what promise Monroe had. If only she could have been led the right way by genuine people. See this if only for Monroe's sprightly turn. 6/10
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.
A young South African boy from the Johannesburg ghetto named Tsotsi, meaning Gangster, leaves home as a child to get away from his helpless parents. Now a teenage thug, Tsotsi finds a baby in the back seat of a car he's just stolen. He decides that it is his responsibility to care for the infant and in the process learns that maybe the criminal life isn’t the best way.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
A tobacco planter on Réunion island in the Indian Ocean becomes engaged through correspondence to a French woman he does not know. The woman that arrives does not look like the picture he received, but he marries her anyway.
Jack always lands on his feet. He lands on his feet when he marries the beautiful Sarah. He lands on his feet when he buys a luxurious new home. However, when Sarah goes into labour, he takes a tumble down the stairs and lands on his head. When he comes around he discovers he is the proud father of a baby girl, but deficient in the spouse department to the tune of 1.
Fiona and Grant have been married for nearly 50 years. They have to face the fact that Fiona’s absent-mindedness is a symptom of Alzheimer’s disease. She must go to a specialized nursing home, where she slowly forgets Grant and turns her affection to Aubrey, another patient in the home.
A poet falls in love with an art student, who gravitates to his bohemian lifestyle — and his love of heroin. Hooked as much on one another as they are on the drug, their relationship alternates between states of oblivion, self-destruction, and despair.
After her much older husband forces a move to a suburban retirement community, Pippa Lee engages in a period of reflection and finds herself heading toward a quiet nervous breakdown.