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Jerry's the salt of the earth, but he's not the right seasoning for you. Clash by Night is directed by Fritz Lang and adapted to screenplay by Alfred Hayes from the play written by Clifford Odets. It stars Barbara Stanwyck, Paul Douglas, Robert Ryan and Marilyn Monroe. Music is by Roy Webb and cinematography by Nicholas Musuraca. Tis a tale of stilted raw passions, frustrations and wrong decisions that unfurl in a California seacoast fishing town. Essentialy it finds Stanwyck as Mae Doyle who returns to her home town fishing village of Menterey, Calif. She's bitter and unfullfilled and marries the amiable but not very bright Jerry D'Amato (Douglas) in spite of both their better judgements. With her being inexplicably drawn to Jery's woman hating friend, Earl (Ryan), and her brother Joe (Andes) fretting that his sister Peggy (Monroe) will be corrupted by Mae's bitterness, it's a hotbed of character fallibilities. To my mind It's all very stagy and a little too overwrought, and frustrating given that the themes within the play looked to be perfect for the great Fritz Lang. Not that it's either a stinker or a critical bomb (like the play itself), it isn't, it's just too soap opera to fully ignite the thematics at the core of the story. On the flip side, aside from Douglas' awful histrionic laden peformance, the acting is top notch. You may not care about these characters but you can't be anything but very involved and hang on to see what will happen to them all. Dialogue is a plus point, resplendent with barbs and choiceisms, while although the also great Musuraca is not in is chirascuro element, there's enough atmospheric photography - particularly when story plays out at the docks setting - to catch the eyes with mood compliance. Unfortunately the unconvicing sets are matched by the wholly unconvincing and disappointing finale. Just above average and lower tier fare on the CV's of Lang, Ryan and Stanwyck, it does however serve notice of what promise Monroe had. If only she could have been led the right way by genuine people. See this if only for Monroe's sprightly turn. 6/10
The film revolves around an unhappy married man who seeks the help of a Casanova to seduce his wife and get her to ask for a divorce.
A rogue reporter trailing a runaway heiress for a big story joins her on a bus heading from Florida to New York and they end up stuck with each other when the bus leaves them behind at one of the stops along the way.
’Distance’ is an award-winning, independent feature film exploring the distance between men and women through the intertwined stories of two couples. Made by the filmmaker while he was still in his 20s, ‘Distance’ features Oscar-nominee James Woods in his first leading role.
In the Chatterley country estate, monotonous days follow one after the other for Constance, trapped by her marriage and her sense of duty. During spring, deep in the heart of Wragby forest, she encounters Parkin, the estate’s gamekeeper. A tale of an encounter, a difficult apprenticeship, a slow awakening to sensuality for her, a long return to life for him. Or how love is but one with experience and transformation.
Shoko and Mutsuki get married to satisfy their worried parents, but she is well past the age at which a 'good' Japanese woman should marry, and he is in love with a young male college student. The film is less a realistic exploration of gay life than a fairy tale of three young Japanese trying to construct an alternative to the sexual and familial roles given to them by a society turning increasingly emotionally barren.
The story revolves around the dangers of superstition, particularly when it concerns marriage and how unscrupulous elements in society could manipulate these beliefs to their benefit and lead to tragic consequences.
A Hollywood songwriter goes through a mid-life crisis and becomes infatuated with a sexy blonde newlywed.
Set in pre-World War II Zagreb, the story is seen through the eyes of 6-year-old Perica Šafranek (played by Tomislav Žganec). A dandy from Zagreb, Mr Fulir (played by Relja Bašić), starts flirting with Perica's mother during a family picnic. At first, Perica's father doesn't notice anything, but wants to marry off Perica's aunt, so he invites the man to their residence. After multiple rendezvous, Perica's father becomes aware of Fulir's attempts to seduce his wife.
Daniel and Tina are a couple who decides to get hitched. Daniel is an engineer working in Singapore, who comes from a humble Hokkien Malaysian family, while his wife-to-be Tina, comes from a well-to-do Cantonese Singaporean family. What follows the happy decision to tie the knot is a series of problems involving both families - the disparity in perceived wealth and the countless differences between Singaporean and Malaysian, Hokkien and Cantonese cultures.
A simpleton guy Anand and a modern girl Akshara fall in love and decide to get married. However, their lives turn upside down when Akshara's past walks back in her life, making her have second thoughts on their wedding day.
The film highlights the sacred bond with another human being through nuptial rituals and the sanctity of the institution of marriage.