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Yeah... this was done on the cheap, that's sort of obvious from the start. But, you know, that isn't always a bad thing. Look at what the movie is about, spies ala Nightmare on Elm Street, it doesn't really need to be a big budget film to be fun and watchable. And it is fun and watchable. Dennis Quaid was the absolute best pick for the role, his personality (which is usually watchable) meshes well with the character, and the character he plays is written brilliantly for the role. The heroic and lovable slacker, but a slacker of near epic proportions that rises up to the situation. You couldn't cast better in 1984. And then he's paired against Max Von Sydow who, in his lifetime, won far less awards than he was worth. He was one of the best actors to ever live and he's in a B science fiction movie. He's a guy that brings his A game to everything. So out the door it has great casting going for it. But then, moving on from that, the plot is just fun, not at all too serious, it knows what sort of movie that it is, it knows it's budget and limitations, and it is presented with the appropriate seriousness and tongue-in-cheek to keep the audience engaged from start to finish. It's not at all a perfect movie, but it is a fun movie, it is an entertaining movie. It doesn't have much to complain about (save for Nightmare on Elm St did it better) but it does have what it takes to keep you engaged, entertained, and at the end, satisfied.
**_Is murdering people in their dreams viable?_** A young man with extraordinary psychic abilities (Dennis Quaid) is coerced into participating in experimental dream techniques by his former mentor (Max Von Sydow). While he flirts with the assistant (Kate Capshaw), a mysterious government official (Christopher Plummer) is interested in using the new technique as a political weapon. Eddie Albert plays the president while David Patrick Kelly is on hand as a psychic of dubious morality. “Dreamscape” (1984) combines dream-oriented sci-fi with political thriller for an entertaining flick. Young Quaid makes for a good protagonist while Kate is alluring in her voluptuous way (and less annoying than in “Temple of Doom”). The concept of killing people in their dreams is fascinating and implemented in a realistic way compared to the contemporaneous “A Nightmare on Elm Street.” While it borrows a little from “Scanners” from a few years prior, it’s unique enough and would influence future flicks like "Nightwish,” “The Cell” and “Inception.” Some people today criticize it as “dated” but, come on, it was made in friggin’ 1983. The movie runs 1 hour, 39 minutes, and was shot in several spots in California (Los Alamitos Racetrack, Union Station in Los Angeles, West Hollywood, Point Mugu, University of the Pacific in Stockton, Santa Clarita and Bronson Caves). GRADE: B
The story of a gentle-hearted beast in love with a simple and beautiful girl. She is drawn to the repellent but strangely fascinating Beast, who tests her fidelity by giving her a key, telling her that if she doesn't return it to him by a specific time, he will die of grief. She is unable to return the key on time, but it is revealed that the Beast is the genuinely handsome one. A simple tale of tragic love that turns into a surreal vision of death, desire, and beauty.
Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.
Praxis peels away the layers of narrative even as Brian, the film's axis, struggles to create his true self. Brian, a writer on the verge of a breakdown, is aided by Joe and an Elusive Woman as he sifts through the fragments of his persona to discover his true core. Fighting against fear and the indifference of society - aptly symbolized by the medical establishment - his quest reflects the classical mythos of Proteus and the human search for meaning in the universe.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Because of a technical defect an American bomber team mistakenly orders the destruction of Moscow. The President of the United States has but little time to prevent an atomic catastrophe from occurring.
Eight London couples try to deal with their relationships in different ways. Their tryst with love makes them discover how complicated relationships can be.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature.
A young social outcast in Australia steals money from her parents to finance a vacation where she hopes to find happiness, and perhaps love.
In postwar Japan, Godzilla brings new devastation to an already scorched landscape. With no military intervention or government help in sight, the survivors must join together in the face of despair and fight back against an unrelenting horror.
A tormented jazz musician finds himself lost in an enigmatic story involving murder, surveillance, gangsters, doppelgängers, and an impossible transformation inside a prison cell.
A young nurse, Alma, is put in charge of Elisabeth Vogler: an actress who is seemingly healthy in all respects, but will not talk. As they spend time together, Alma speaks to Elisabeth constantly, never receiving any answer.
