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To live by the gun to die by the gun. Top Gun is directed by Ray Nazarro and written by Steve Fisher and Richard Schayer. It stars Sterling Hayden, William Bishop, Karin Booth, James Millican, Regis Toomey, John Dehner, Rod Taylor and Hugh Sanders. Music is by Irving Gertz and cinematography by Lester White. Rick Martin (Hayden) is a notorious gunman who returns home to Casper, Wyoming, to tell of an imminent invasion by a gang of outlaws. But his reputation and vested interests see the town want rid of Rick quickly - something they may regret should they get their wish... "You've been listening to a slippery tongued fella can make a lie stand up and take a bow" Top Gun is no hidden treasure, neither for fans of 1950s American Westerns or of the under valued Sterling Hayden, you wouldn't be staking your life on this one knocking anyone's socks off. However, there is good cause to put it forward for a look see to both parties, for Hayden dose his imposing presence act and under the stewardship of the trusty Nazarro we get a meaty traditional genre piece of the era. Front and centre is the anti-hero axis, where although his past deeds are unpalatable, the fact the townsfolk are in the main worm like, with chief heel duty falling to Bishop's Canby Judd, Rick is a man to root for. Loose canon role falls to a youthful smirking Taylor, making a good mark, and Dehner (wonderfully scuzzy) fronts up the villainous outlaws coming to sack the town of Casper. Action is healthy in quota, the stunt men and sharp shooters earning their respective keep, while the look and aural technicalities are appealing when considering the budgetary restraints. Familiar traits such as a love triangle and the finale face off between good and bad does not a fresh film make, but the script packs some smart dialogue which in turn gives Dehner, Hayden and Millican room to hold court. Good stuff for the genre faithful to sample. 7/10
Legendary marshal Wyatt Earp, now a weary gunfighter, joins his brothers Morgan and Virgil to pursue their collective fortune in the thriving mining town of Tombstone. But Earp is forced to don a badge again and get help from his notorious pal Doc Holliday when a gang of renegade brigands and rustlers begins terrorizing the town.
The Legend Of Earl Durand was the story of a young child whose family lived near DuBois, Wyoming and made Earl live in a hut in the wild because they thought he had a contagious disease. When the local Aboriginal people discovered his plight, they took him under their wing so he grew up as a sort of wild man, completely able to live off the land. He was known as the "Robin Hood" of the West because he hunted game on Federal land which was very illegal and gave the meat to the poor.
A band of Mexicans find their U. S. land claims denied and all the records destroyed in a courthouse fire. Their leader, Louis Chama, encourages them to use force to regain their land. A wealthy landowner wanting the same decides to hire a gang of killers with Joe Kidd to track Chama.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Harvard graduate James Averill serves as the sheriff of prosperous Jackson County, Wyo., standing at the center of a conflict between impoverished immigrants and affluent cattle farmers. Politically connected ranchers enlist mercenary Nathan Champion—who is also vying for the affections of local madam Ella Watson—to combat the immigrant uprising. As tensions escalate, both Averill and Champion start to question their decisions.
A woman seeking revenge for her murdered father hires a famous gunman, but he's very different from what she expects.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
The Gunfight at the OK Corral only happened once, but has been tirelessly recreated in films, television shows and western towns ever since. No one has a monopoly on truth, and in Tombstone Rashomon, the truth is shared by six conflicting, yet historical perspectives. In doing so, the film’s narrative becomes prismatic and the result is perhaps the most comprehensive telling of the most important gunfight in American history. This is the Tombstone story told in the style of the Japanese classic Rashomon where we see history from several perspectives including that of Wyatt Earp, Doc Holliday, Kate, Ike Clanton, Colonel Hafford and Johnny Behan.
El Topo decides to confront warrior Masters on a trans-formative desert journey he begins with his 6 year old son, who must bury his childhood totems to become a man.
Afflicted with a terminal illness John Bernard Books, the last of the legendary gunfighters, quietly returns to Carson City for medical attention from his old friend Dr. Hostetler. Aware that his days are numbered, the troubled man seeks solace and peace in a boarding house run by a widow and her son. However, it is not Books' fate to die in peace, as he becomes embroiled in one last valiant battle.
The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver