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The story of this artist reminds me of a book I read many years ago, which described the lives of classical composers such as Mozart. It seems they were often like rock or film stars of more modern times. They lived life large and invited scandal. Mr. Turner describes a similar character. He lives how he wants and except for awkward moments with ex-lovers and his trail of children left behind, her gets away with it. As one interviewer noted, Timothy Spall grunts his way through this film, though as usual, his performance is much more layered than that throwaway phrase describes. Lesley Manville is excellent, as always and Dorothy Atkinson is stunning in her complex yet minimalistic portayal. As with more Mike Leigh films, it features a wonderful ensemble cast. I think the finest British actors line up to play in his films the way it often happens when directors are on a role, such as Woody Allen in his prime years in this country. The plot has depth, though some of the commentary about the artists of the time feels rather obscure to me now. I knew when I first watched it that I would need to see it again, and I am glad I did as it added to my comprehension and appreciation. However, unlike several of Mike Leigh’s masterpieces, I will not want to watch it again beyond that required second viewing. The artistry is there, but the drama and tension of my favorite Leigh films is more lacking. Still a worthy addition to his collection, though.
An orphan named Innocence leaves her county home after her foster-father dies. She travels to the city and makes a living as a novelist. Subsequently, she has an affair with a painter named Amadis de Jocelyn, who later dumps her.
Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
Edvard Munch was one of the most important artists in the period between the 19th and 20th centuries. His motif Skrik (The Scream), repeated in several techniques, became part of the 20th-century world subconsciousness – an image of fear and loneliness most people probably know, even if they have no idea who created it.
Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.
Carl Nargle, Vermont’s #1 public television painter, is convinced he has it all: a signature perm, custom van, and fans hanging on his every stroke… until a younger, better artist steals everything (and everyone) Carl loves.
A French woman falls in love with a Yugoslavian man, not realizing that he is an illegal immigrant.
An extravagant, exotic and moving look at Rembrandt's romantic and professional life, and the controversy he created by the identification of a murderer in the painting The Night Watch.
A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.
A ranger whose passion is nude painting comes to work in a remote Bosnian village. He asks the local women to pose naked for him. They are shy at first, but they eventually agree to do so. This makes their husbands furious, who think that the ranger is sleeping with their wives.