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The story of this artist reminds me of a book I read many years ago, which described the lives of classical composers such as Mozart. It seems they were often like rock or film stars of more modern times. They lived life large and invited scandal. Mr. Turner describes a similar character. He lives how he wants and except for awkward moments with ex-lovers and his trail of children left behind, her gets away with it. As one interviewer noted, Timothy Spall grunts his way through this film, though as usual, his performance is much more layered than that throwaway phrase describes. Lesley Manville is excellent, as always and Dorothy Atkinson is stunning in her complex yet minimalistic portayal. As with more Mike Leigh films, it features a wonderful ensemble cast. I think the finest British actors line up to play in his films the way it often happens when directors are on a role, such as Woody Allen in his prime years in this country. The plot has depth, though some of the commentary about the artists of the time feels rather obscure to me now. I knew when I first watched it that I would need to see it again, and I am glad I did as it added to my comprehension and appreciation. However, unlike several of Mike Leigh’s masterpieces, I will not want to watch it again beyond that required second viewing. The artistry is there, but the drama and tension of my favorite Leigh films is more lacking. Still a worthy addition to his collection, though.
An aimless young man and his sign-painter friend draw a crowd when they climb to the top of a high-rise billboard.
A biography of artist Frida Kahlo, who channeled the pain of a crippling injury and her tempestuous marriage into her work.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
An artist falls for a married young woman while he's commissioned to paint her portrait. The two invest in the risky tulip market in hopes to build a future together.
In 1890 Paris, Moulin Rouge is a nightclub where crippled artist Toulouse-Lautrec feels like he fits in. In the following years, he meets two women who provide an opportunity for him to find true love.
In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.
Greek painter Domenikos Theotokopoulos (Mel Ferrer) woos a beauty (Rosanna Schiaffino) and faces the Inquisition in 16th-century Spain.
A successful artist, weary of Parisian life and on the verge of divorce, returns to the country to live in his childhood house. He needs someone to make a real vegetable garden again out of the wilderness it has become. The gardener happens to be a former schoolfriend. A warm, fruitful conversation starts between the two men.
In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.
Two girlfriends on a summer holiday in Spain become enamored with the same painter, unaware that his ex-wife, with whom he has a tempestuous relationship, is about to re-enter the picture.