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I think the problem here is more along the lines of why would you care? As a group of friends head towards their thirtieth birthdays, each has their moment in the sun in this dreary and plodding drama that contrives to make sure that each have their trials and tribulations. There’s the gay “Tony” (Andrew Wei Lin) who is dating an undetectable HIV+ lecturer whilst sharing an apartment with his best pal and cocaine addict “Felix” (Thomas Sadoski) who is best pals with “Julie” (Nicole Bilderback) who is about to marry “Andrew” (Ryan Locke) who meets “Robert” (Bill Sage) in the same sauna where “Tony” met “Louie” (Terry Serpico). “Robert” just happens to be a venture capitalist who offers to set him up in business and that gives “Andrew” a chance to employ “Tony” and maybe his other friend “Ben” (Colin Fickes) who cruises Grindr trying to pretend he is a little fitter than he actually is. Now the scene is set, we follow their interconnected shenanigans as one betrays another, or falls in love, or out of love, or… but who cares? The acting isn’t terrible, but the characters - excepts perhaps “Tony” are shallow, selfish and undercooked and the portmanteau nature of the story telling just leaves us observing a series of interwoven vignettes that just didn’t engage. There is a great deal of dialogue and not much else as the thing plods it’s way through ninety minutes before leaving us little the wiser as to why Chris Mason Johnson ever thought this was ever a solid idea for a film in the first place. To it’s credit, it doesn’t make any big deals about race or sexuality as it meanders along and that normalcy gives it a bit of credibility, but with that goes just too much that is overly contrived.
In order to recreate a picture taken in 1974, during the inauguration of São Paulo subway, Pedro meets two school friends he had not seen for 40 years. If their existential crises, ageing and (astray) ways were not enough, Pedro announces, to everyone's surprise, he intends to take his own life — even though not before he sees his soccer team win a championship.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.
Over the course of five social occasions, a committed bachelor must consider the notion that he may have discovered love.
The true story of Henry Hill, a half-Irish, half-Sicilian Brooklyn kid who is adopted by neighbourhood gangsters at an early age and climbs the ranks of a Mafia family under the guidance of Jimmy Conway.
In 1895, Oscar Wilde (1854-1900) was the most famous writer in London, and Bosie Douglas, son of the notorious Marquess of Queensberry, was his lover. Accused and convicted of gross indecency, he was imprisoned for two years and subjected to hard labor. Once free, he abandons England to live in France, where he will spend his last years, haunted by memories of the past, poverty and immense sadness.
Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.
Based on the real life story of Parinya Charoenphol, a Muaythai boxer who underwent a sex change operation to become a woman.
Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.
On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.