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Married at First Sight - (Mar 11th)
The Skinny Jab Revolution - (Mar 11th)
Australian Survivor - (Mar 11th)
After Midnight - (Mar 11th)
The 11th Hour with Stephanie Ruhle - (Mar 11th)
The Real Housewives of Sydney - (Mar 11th)
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Here's to you Mrs. Robinson. The 39 Steps is directed by Ralph Thomas and adapted to screenplay by Frank Harvey from the novel of the same name written by John Buchan. It stars Kenneth More, Taina Elg, Brenda De Banzie, Barry Jones, Reginald Beckwith and Faith Brook. Music is by Clifton Parker and cinematography by Ernest Steward. Some found it hard to differentiate this interpretation of the classic novel from the superb Alfred Hitchcock version made in 1935. Which is a shame because on its own terms this is a fun packed mystery boosted by More's effervescent charm. Story is a cracker, Richard Hannay (More) finds himself up to his neck in espionage after a mysterious lady is stabbed to death in is flat. Trying to get to the bottom of the mystery puts him in grave danger and takes him North to Scotland, where he hopes he can clear himself of the suspected murderer rap - and unravel the words he heard - The 39 Steps. No! It isn't as good as Hitch's film, choosing to replace out and out suspense with a more humoristic approach, but the chase yarn aspects are briskly directed by Thomas, and the Scottish locations provided a wonderful backdrop to the fun drama. This same year Hammer Films put a different spin on The Hound of the Baskervilles, with fine results. So it be with the Rank Organisation and this take on the Buchan story. Good fun and well worth a look if you haven't seen it before. 7/10
Although it could never be anywhere near as good as the 1935 version, Kenneth More does a reasonable job as John Buchan's "Hannay" here. On leaving the theatre one evening, he finds himself with a new friend (Betty Henderson) whom he invites back to his flat. When he returns from the kitchen to tell her he has no sugar for the tea, he finds that isn't her top priority any more and he is soon embroiled in a murder and espionage mystery that could strike at the very heart of the kingdom. Armed only with a clue about a village in Scotland and a man with a missing finger, he sets off to get to the bottom of it all. Colour photography can be the enemy of films like this. The sense of peril and menace is frequently compromised by the brightness of the light. More tries hard, but he just hasn't the weight (nor the wit) to carry of this character - and the arrival of Taina Elg ("Fisher") once he gets to Scotland adds very little to the gravitas of the culmination to the story. It's fine to watch, a decent supporting cast - Brenda de Banzie, Reginald Beckwith and James Hayter all add a little, but in the end it isn't so much a thriller as a light-weight adventure film.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Sophie Jacobs is going through the most difficult time of her life. Now, she just has to find out if it's real.
Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.
Taking a break from their dreary lives, close friends Thelma and Louise embark on a short weekend trip that ends in unforeseen incriminating circumstances. As fugitives, both women rediscover the strength of their bond and their newfound resilience.
When an unsuspecting town newcomer is drawn to local blood fiends, the Frog brothers and other unlikely heroes gear up to rescue him.
After interning her insane husband in a remote psychiatric hospital, book editor Helga Pato returns home by train, where she meets a mysterious man who identifies himself as a psychiatrist.
An ordinary funeral procession moves along its path from church to cemetery. Observing, you slip from reality into a place where time has lost its linearity, looping through the odd images thrown off by a distorted reality. Images of non-existence, of varying reflections of death issuing from both past and future, concrete yet abstract, horrible yet desirable. A family asks a young psychiatrist to be their guest for a while to untangle the circumstances of their father's illness. He's developed a suicidal fixation for ropes and knots among other things. While deeply involved in analyzing the patient's delirium, the doctor begins to lose track of what is taking place. The task of "how to help" is twisted into "who am I? Doctor or patient? Chance guest, member of this suffering family, or a catholic priest who has dreamed this all up?" In order to get a handle on it all, it's best to start from the beginning, but why do things keep shifting, changing?
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.