De puro aire

Why does Old Granny seem less lovable as she ages? 82-year-old Granny lives with her fifth son in a Guangzhou apartment, but spends most of the time by herself. Two of her children are dead, another two have their own families, and a further two divide their time between Shenzhen and Hong Kong. The only connection among members of this family seems to be the annual grave sweeping ceremony.

This often confronting documentary observes a Māori restorative justice model through the eyes of straight-talking Mike Hinton, manager of Restorative Justice at Manukau Urban Māori Authority. The bringing together of victims (including wider whānau) and offenders may offer an alternate way forward for "a criminal justice system failing too many and costing too much”. Restoring Hope kicked off Māori Television’s 2013 season of Sunday night documentaries. In a Herald On Sunday preview, Sarah Lang argued it was “enough to restore hope in local documentary-making.” I’m in an arena where people have high emotions, they get stressed and pressured. I’m reasonably confident that I can avoid situations where I’ll be unsafe. I don’t have any death wish — I’ve got a game of golf tomorrow. – Mike Hinton, on the dangers of the job

Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.

On September 19, 2017, at 1:14 p.m., an earthquake devastated Mexico City and its environs. Immediately, citizens mobilized to help, including the actor and youtuber Juanpa Zurita who quickly organized a group of friends that included singers, actors, content creators and other celebrities from the world of entertainment who helped him raise funds for the reconstruction of the city.

Best friends travel though Latin America meeting shamans, experimenting with plant medicines, and wondering about what makes a life well-lived when one of them might have half the time to live it.

The bleached palette and home-movie aesthetics of Super 8 footage provide the image track for this testimonial about an illegal abortion in Mexico City in the 1960s, delivered in voiceover by the filmmaker’s mother. In its account of this intimate and disorienting memory, Lesser Choices summons a time of profound uncertainty—a moment from an era without rights—and offers a warning to the present.

Before leaving for Rome with his mother, five year old Natan is taken by his father, Jorge, on an epic journey to the pristine Chinchorro reef off the coast of Mexico. As they fish, swim, and sail the turquoise waters of the open sea, Natan discovers the beauty of his Mayan heritage and learns to live in harmony with life above and below the surface, as the bond between father and son grows stronger before their inevitable farewell.

A father exits prison and tries to integrate with his two children and girlfriend while living in a halfway house and on parole.