Glembajevi

Television adaptation of the novel by the Italian writer Italo Svevo. His hero is Zeno Cosini, the son of a merchant in Trieste. He is a type of useless person, defeated by life and incapable of action. The ironic insight with which the author draws a picture of the townspeople of Trieste at the turn of the century sounds like an accurate diagnosis of a social class that is doomed with its entire lifestyle and morality.

Private eye Varg Veum is on a routine mission searching for his client Jonas Andresen's stolen car. The car is found having been used in a brutal robbery and not long after that the client himself turns up dead.

The story of an Icelandic man and his slow descent into madness. Along his journey he meets Dagný, the initial cause of his breakdown. Other people he meets in the asylum have been committed for various reasons, such as signing cheques for Adolf Hitler and, believing themselves to be writing songs for the Beatles and telepathically transmitting to the band.

A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.

A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind and water. It is cold enough to crack stones, and, when the snow falls it is gray. The sky is dark. Their destination is the warmer south, although they don't know what, if anything, awaits them there.

Locked in her cell, a murderer reflects on the events that have led her to death row.

In a dystopian, polluted right-wing religious tyranny, a young woman is put in sexual slavery on account of her now rare fertility.

Out of fourteen ministers taken away by the communist troop, only two come back alive. The mystery behind their survival is at the issue here. Told through one of the survivor's testimony, depicts images of men troubled between the war and the religion. Although laden with anti-Communist notions from the 60's military regime.

The doomed love of a city girl caught in the vise of poverty is detailed in Vavra’s fluid, romantic work, one of the most elegant creations of the Czech Modernist era... The film lingers over its characters’ habitats and haunts, finding psychological truths in what each owns or desires, and countering every Hollywood-ready scene of gleaming restaurants and dazzling penthouses with realist moments of employment lines and crammed flats. Vavra’s classical camerawork and aura of romantic defeatism give Virginity a force comparable to the master of this genre, Hollywood’s Frank Borzage. (BAM/PFA)