Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
Tudum A Netflix Global Fan Event 2025 - Movies (Jun 3rd)
Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Drop 2025 - Movies (Jun 2nd)
A Working Man 2025 - Movies (Jun 2nd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
Below Deck - (Jun 3rd)
Homes Under the Hammer - (Jun 3rd)
The Cheap Seats - (Jun 3rd)
The Farmer Wants a Wife - (Jun 3rd)
LEGO Masters - (Jun 3rd)
The 11th Hour with Stephanie Ruhle - (Jun 3rd)
Claire Hoopers House of Games - (Jun 3rd)
The Chase Australia - (Jun 3rd)
Who Do You Think You Are - (Jun 3rd)
Watch What Happens Live with Andy Cohen - (Jun 3rd)
American Ninja Warrior- Ninja vs. Ninja - (Jun 3rd)
Yes Chef - (Jun 3rd)
Baddies Africa - (Jun 3rd)
Taskmaster - (Jun 3rd)
Ninjago- Masters of Spinjitzu - (Jun 3rd)
Basketball Wives - (Jun 3rd)
Big Zuu and AJ Traceys Rich Flavours - (Jun 3rd)
The 6000 lb Diaries with Dr. Now - (Jun 3rd)
Dr. Pimple Popper- Breaking Out - (Jun 3rd)
Kevin Costners The West - (Jun 3rd)
Now look at this, someone made the Handmaid's Tale into something watchable. You know what the difference between this and the series is? I'll give you a hint it's two things... do you have it yet? Time and story. The TV show has FAR too many episodes, and each is far too long to tell a compelling story. The 1990 HBO version is only about 100 minutes. It's not dragged out to the point where it is filled to overflowing with, well, with filler. It delivers a clean and concise story that didn't spare a cut. And because of that it works. But.... it also has Faye Dunaway, and it has Natasha Richardson, and it has Robert Duvall, and it has Aidan Quinn... and those are all people that everyone would be honored to cast, and they were certainly people that anyone would be thrilled to cast back in 1990. So, what you have is a clean script that is void of unnecessary filler (and in the case of the TV series, free of painfully long unnecessary filler) and that script is acted out by some of the best people in the industry. You can't ask for more.
Yikes, but there must have been some volume of hairspray used in this production that makes the "Stepford Wives" look like an ordinary family street. The women are divided into two groups in this futurist version of the USA. The blue are the privileged and wealthy, the red are the surrogates in a society that cannot now readily breed. A few lucky men are the commanders, lording over everyone and having their own fun trying to conceive children much as roosters fertilise hens. "Kate" (Natasha Richardson) is one such red dress. She is to be indoctrinated into the mansion run by "Serena Joy" (Faye Dunaway) so she can service the sexual needs of the boss (Robert Duvall). Now they only have a certain amount of tries at the conception lark, and if they don't come up with the goods then they go back to an homeless oblivion. She isn't getting pregnant but nobody dares to ask if it's the "Commander" who is firing blanks so she befriends him, tries to earn his trust whilst all along making plans with his driver "Nick" (Aidan Quinn) to get the hell out of the place. She might just be in luck as there is an increasing unrest amongst society at large with this hierarchical and zealous societal structure that sees the wealth - money, food and children, in the hands of very, very few. It's starts off quite intriguingly but pretty quickly runs out of steam with some really stilted performances and dialogue - despite having Margaret Atwood and Harold Pinter as the wordsmiths. Dunaway doesn't really appear enough to make much difference and by half way through I thought that it might have worked better on stage - though whether I'd have bothered to leave the bar after the interval is a good question. It's all adequate enough, just nothing special.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
In a near-future Britain, young Alexander DeLarge and his pals get their kicks beating and raping anyone they please. When not destroying the lives of others, Alex swoons to the music of Beethoven. The state, eager to crack down on juvenile crime, gives an incarcerated Alex the option to undergo an invasive procedure that'll rob him of all personal agency. In a time when conscience is a commodity, can Alex change his tune?
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
In the post-apocalyptic future, reigning tyrannical supercomputers teleport a cyborg assassin known as the "Terminator" back to 1984 to kill Sarah Connor, whose unborn son is destined to lead insurgents against 21st century mechanical hegemony. Meanwhile, the human-resistance movement dispatches a lone warrior to safeguard Sarah. Can he stop the virtually indestructible killing machine?
Three generations of women survive the east wind, fire, insanity, superstition and even death by means of goodness, lies and boundless vitality.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
A young transgender man explores his gender identity and searches for love in rural Nebraska.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.