Captain America Brave New World 2025 - Movies (Mar 7th)
Confessions of a Romance Narrator 2025 - Movies (Mar 6th)
Woods of Ash 2025 - Movies (Mar 6th)
Agents 2024 - Movies (Mar 6th)
Barbie and Teresa Recipe for Friendship 2025 - Movies (Mar 6th)
Picture This 2025 - Movies (Mar 6th)
Mozarts Sister 2024 - Movies (Mar 5th)
The Road to Patagonia 2024 - Movies (Mar 5th)
Grunt 2025 - Movies (Mar 5th)
The Unbreakable Boy 2025 - Movies (Mar 4th)
The Gutter 2024 - Movies (Mar 4th)
Smile for the Dead An Examination of Spirit Photography 2025 - Movies (Mar 4th)
The Haunted the Possessed and the Damned 2024 - Movies (Mar 4th)
The Tale of Texas Pool 2024 - Movies (Mar 4th)
Below the Rim 2024 - Movies (Mar 4th)
Aquarius 2024 - Movies (Mar 4th)
Echo 8 2024 - Movies (Mar 4th)
Small Things Like These 2024 - Movies (Mar 4th)
Andrew Schulz LIFE 2025 - Movies (Mar 4th)
Hard Truths 2024 - Movies (Mar 4th)
Heart Eyes 2025 - Movies (Mar 4th)
Budding Prospects - (Mar 7th)
Building Outside the Lines - (Mar 7th)
All In with Chris Hayes - (Mar 7th)
Georgie and Mandys First Marriage - (Mar 7th)
Severance - (Mar 7th)
Surface - (Mar 7th)
The Pitt - (Mar 7th)
9-1-1 - (Mar 7th)
Happys Place - (Mar 7th)
The Undercover Police Scandal- Love and Lies Exposed - (Mar 7th)
Inside the Tower of London - (Mar 7th)
Tales from the Riverbank - (Mar 7th)
The Beat with Ari Melber - (Mar 7th)
Greys Anatomy - (Mar 7th)
Elsbeth - (Mar 7th)
Ghosts - (Mar 6th)
The Bold and the Beautiful - (Mar 6th)
The Young and the Restless - (Mar 6th)
Deadline- White House - (Mar 6th)
The Apprentice - (Mar 6th)
Now look at this, someone made the Handmaid's Tale into something watchable. You know what the difference between this and the series is? I'll give you a hint it's two things... do you have it yet? Time and story. The TV show has FAR too many episodes, and each is far too long to tell a compelling story. The 1990 HBO version is only about 100 minutes. It's not dragged out to the point where it is filled to overflowing with, well, with filler. It delivers a clean and concise story that didn't spare a cut. And because of that it works. But.... it also has Faye Dunaway, and it has Natasha Richardson, and it has Robert Duvall, and it has Aidan Quinn... and those are all people that everyone would be honored to cast, and they were certainly people that anyone would be thrilled to cast back in 1990. So, what you have is a clean script that is void of unnecessary filler (and in the case of the TV series, free of painfully long unnecessary filler) and that script is acted out by some of the best people in the industry. You can't ask for more.
Yikes, but there must have been some volume of hairspray used in this production that makes the "Stepford Wives" look like an ordinary family street. The women are divided into two groups in this futurist version of the USA. The blue are the privileged and wealthy, the red are the surrogates in a society that cannot now readily breed. A few lucky men are the commanders, lording over everyone and having their own fun trying to conceive children much as roosters fertilise hens. "Kate" (Natasha Richardson) is one such red dress. She is to be indoctrinated into the mansion run by "Serena Joy" (Faye Dunaway) so she can service the sexual needs of the boss (Robert Duvall). Now they only have a certain amount of tries at the conception lark, and if they don't come up with the goods then they go back to an homeless oblivion. She isn't getting pregnant but nobody dares to ask if it's the "Commander" who is firing blanks so she befriends him, tries to earn his trust whilst all along making plans with his driver "Nick" (Aidan Quinn) to get the hell out of the place. She might just be in luck as there is an increasing unrest amongst society at large with this hierarchical and zealous societal structure that sees the wealth - money, food and children, in the hands of very, very few. It's starts off quite intriguingly but pretty quickly runs out of steam with some really stilted performances and dialogue - despite having Margaret Atwood and Harold Pinter as the wordsmiths. Dunaway doesn't really appear enough to make much difference and by half way through I thought that it might have worked better on stage - though whether I'd have bothered to leave the bar after the interval is a good question. It's all adequate enough, just nothing special.
After an older lady hangs herself in a church, a new psychiatrist discovers she was obsessed with the disappearance of his eight-year-old son, who vanished three years earlier. Meanwhile, three city dwellers are restoring a house when they realize it is haunted.
Old houses in Zagreb are destroyed in order to build new, bigger blocks. A teacher who lives in one of these houses allows a stranger to share his home with him. The stranger has a fascination with statistics, and claims he can predict crimes based on statistical analyses. When a predicted murder did not occur, the stranger is adamant that the whole town will suffer unless a balance is achieved - and he leaves.
Anzukko (Little Peach) is the daughter of a successful writer. She turns down each one of her suitors, until she marries a beginning writer named Ryokichi. Their life quickly sinks into despair.
1984, Sverdlovsk, USSR. A shy freshman, an entrepreneur, a poet and two charming it-girls navigate life in a student dorm, sharing their griefs and joys, all for one and one for all. Suddenly a horrible accident blows up the life of the dorm when a female student commits suicide. The dorm is a miniature model of the world that encapsulates the full range of human passions, acts of bravery and cowardice, aspirations for virtue and failures, of love, friendship and betrayal.
Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.
Fifteen years have passed since the Martians’ first failed invasion of Earth. The year is 1914, and at the eve of World War I, Mars launches a sudden and more devastating second attack. A small defense force, A.R.E.S., is Earth’s only hope. The giant A.R.E.S. battle tripod GOLIATH is called up to war, and its young multinational crew must face their fears in their struggle to save Humanity from the alien invaders.