Привързаният балон

Croatia, 1991. Two sisters prepare a special homecoming for their father on the day he’s set to return after three months as a prisoner of war.

The young trapeze artist Alma is part of the show of a miserable traveling circus. In an act of desperation, Alma commits incest with her father, a sick clown obsessed with the woman who abandoned them. Determined to have his child, Alma leaves the circus and joins a group of preachers led by Refugio, a woman who performs puppet shows with biblical passages in poor neighborhoods.

Trapped in a world of perpetual fun and inter-species love ruled by a universal Mother, a teenage boy crosses the forbidden frontier to save his childhood sweetheart and find out where he really came from, as an absurd election leads to chaos and violence.

The Hungarian Maria's Day is set in that most fateful of years, 1848. The incredible changes and reverses in European politics and culture exert a potent influence on one aristocratic Hungarian family. Losing virtually everything in the way of creature comforts, the family tries to keep up appearances. Eventually every member of the clan falls victim to illness, syphilis and their own headstrong foolishness. The parallels drawn by director Judith Elek between the dissipation of 19th century Hungarian aristocracy and the corruption of Communist ideology in modern times are inescapable.

A kid strives to be perfect, and in the end realizes that individuality is more fun.

The daughter of an Englishman and an Andalusian woman, Juanita rejects the historical changes taking place in Tangier.She lives alone in this "Paradise lost", surrounded by her sister Elena; Esther, her close friend who dedicates her entire life to an impossible love affair with a Moroccan; and Hamruch the housemaid, who disappears one day without saying a word. The Spanish Civil War, WWII with the arrival of refugees from Europe, and the Moroccan independence finally returns the city to its Arab origins. Juanita's tragedy lies in not realizing that her world is destined to disappear by the destructive and rejuvenating force of History.

Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."

A young photographer has fallen in love with his girlfriend's sister. Nobody knows quite what to do. A stylish variation on the problems of triolism made with striking stability of style and a great feeling for mise-en-scène.

Nadine is obsessed by a memory linked to a haunting tune she can no longer sing, until she hears someone else singing and everything falls back into place again. A melancholic observation of two young couples having difficulties trusting one another. They are full of skepticism and searching for a purpose in life.

A father and his daughter struggle to survive in deep space where they live in isolation.