Incandescence 2024 - Movies (Mar 29th)
Alexander and the Terrible Horrible No Good Very Bad Road Trip 2025 - Movies (Mar 28th)
The Life List 2025 - Movies (Mar 28th)
Renner 2025 - Movies (Mar 28th)
The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
Sex-Positive 2024 - Movies (Mar 27th)
Flight Risk 2025 - Movies (Mar 27th)
Holland 2025 - Movies (Mar 27th)
The House Was Not Hungry Then 2025 - Movies (Mar 27th)
One Million Babes BC 2024 - Movies (Mar 27th)
Through the Door 2024 - Movies (Mar 27th)
Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
The Monkey 2025 - Movies (Mar 25th)
The World According to Allee Willis 2024 - Movies (Mar 25th)
- (Jan 1st)
Live PD Presents- PD Cam - (Mar 29th)
Neighborhood Wars - (Mar 29th)
Customer Wars - (Mar 29th)
Space Invaders - (Mar 29th)
Casualty - (Mar 29th)
Isekai Onsen Paradise - (Mar 29th)
NiziU’s Rural Getaway - (Mar 29th)
The 11th Hour with Stephanie Ruhle - (Mar 29th)
The Weekly with Charlie Pickering - (Mar 29th)
MotoGP Unlimited - (Mar 29th)
Masters of Illusion - (Mar 29th)
Penn and Teller- Fool Us - (Mar 29th)
Crime Beat - (Mar 29th)
Buried Hearts - (Mar 29th)
Gardeners World - (Mar 29th)
Deadline- White House - (Mar 28th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
Unreported World - (Mar 28th)
Four in a Bed - (Mar 28th)
Gene Barry is "Donovan", a CIA agent sent to London to help uncover a cold war espionage ring. He is pretty much captured upon arrival, but luckily manages to quickly escape from his country house prison with the help of "Peter Langley" (Tom Adams) and together with the assistance of "Col. Redmayne" (Richard Todd) they embark on an investigation to find the spy! Most of this reminded me of an episode of "Bewitched" only it wasn't anyone's nose that was twitching. The production is cheap, the script woeful and the performances might legitimately be described as truly worthy of the occasional appearance from Joan Collins ("Anne") at her most glamorously sterile. The plot plods along with an inevitability to it that leaves no room for any suspense, and the fight scenes are so expertly choreographed as to be little more than gymnastics with tomato sauce. London in the late 1960s was a colourful, bustling city and the film at least manages to convey some of that vibrancy, but otherwise this is really just duff.