Feed Them to the Cannibals!

Early 19th-century England is usually seen through the eyes of Jane Austen and the Brontë sisters. Sue Perkins explores a dramatically different version, as lived and recorded by Anne Lister. A Yorkshire landowner, she kept a detailed, partly coded diary, revealing graphic details of her love affairs with women. Regency England was surprisingly tolerant of Anne's chosen lifestyle, and it was only when Anne sought to sink a coal mine on her land that criticism of her private life became public.

Offers a candid portrait of four French Canadian women who adopt surprising new roles as they approach their 50s. Leaving behind husbands and children, these women discuss the courage it took to embark on their quests for lesbian lifestyles.

A portrait of the lives of a disparate group of patrons and employees at an American watering hole today.

With an experimental treatment looming to cure her aggressive cancer, Jamie ventures to the lake where her and her girlfriend, Grace, fell in love, fearful it will be the last time she ever sees it.

A chronological look at films by, for, or about gays and lesbians in the United States, from 1947 to 2005, Kenneth Anger's "Fireworks" to "Brokeback Mountain". Talking heads, anchored by critic and scholar B. Ruby Rich, are interspersed with an advancing timeline and with clips from two dozen films. The narrative groups the pictures around various firsts, movements, and triumphs: experimental films, indie films, sex on screen, outlaw culture and bad guys, lesbian lovers, films about AIDS and dying, emergence of romantic comedy, transgender films, films about diversity and various cultures, documentaries and then mainstream Hollywood drama. What might come next?

Based on an unrealized film script written in 1964 for The Homosexual Law Reform Society, a British organisation that campaigned for the decriminalization of homosexual relations between men, "The Colour Of His Hair" merges drama and documentary into a meditation on queer life before and after the partial legalization of homosexuality in 1967.

Something in the Water explores the rock phenomenon that is music in WA. How can the most isolated city in the world have exploded with so many successful bands over the years? Across decades and genres, Something in the Water asks "what is responsible for the sparkling talent pool?"

The daily life of four trans men in their adaptation processes with their fears and desires.

The film follows the story of Jamie, a struggling butch lesbian actress who gets cast as a man in a film. The main plot is a romantic comedy between Jamie's male alter-ego, "Male Jamie," and Jill, a heterosexual woman on set. The film's subplots include Jamie's bisexual roommate Lola and her cat actor Howard, Lola's abrasive butch German girlfriend Andi, and Jamie's gay Asian friend David.

A film that exposes the reality of young homosexuals who live in the outskirts of Rio de Janeiro, suffer the effects of poverty and misery, but do not lose their identity, dignity and creativity. They are homosexuals, transformers, butterflies of Brazilian real life.... They experience the possibilities and the limits of gender and sexuality, face discrimination with their heads held high, with courage, and determination... They fight for the right to be different and demand, in many ways, that their difference be respected.

A short documentary that portrays the relationship of homosexuals with religion from the life stories of characters who found, when welcomed into an inclusive religious environment, comfort and fulfillment with their own faith. The documentary focuses on the Gospel For All Christian Church (ICEPT), one of the first Christian churches in Brazil to preach Inclusive Theology, and presents testimonies of regulars who experienced rejection within their former faith space due to homosexuality. Theological scholars, representatives of ICEPT and religious members in favor and against inclusive churches participate in the project developing the subject from the human, historical and theological bias of the theme.