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Don't say comfortable eh? Out of Paramount Pictures, Rio Lobo is directed and produced by Howard Hawks (the last film he would direct) and stars John Wayne, Jorge Rivero, Jeniffer O'Neill, Jack Elam & Christopher Mitchum. It's written by Leigh Brackett & Burton Wohl, musically scored by Jerry Goldsmith and photographed by William H. Clothier on location at Cuernavaca, Mexico & Tuscon, Arizona. It's the third film in a loose trilogy by Hawks & Wayne that follows Rio Bravo (1959) & El Dorado (1966). Plot follows Wayne as Union officer Cord McNally who loses gold shipments (via the railway) to Confederate guerrillas led by Pierre Cordona (Rivero) & Tuscarora Phillips (Mitchum). It's the start of a relationship that will see all parties end up in Rio Lobo, Texas, where a traitor and a despotic sheriff are in their midst. Rio Lobo is easily the weakest Western that Hawks made with Duke Wayne. He himself would say that he didn't like the film, felt it wasn't any good, while Wayne himself was quoted as saying that he had already made the film twice before. Almost everything about Rio Lobo is tired, from the formula of the story to Wayne sleepwalking thru a role that held no challenge, it's a poor send off for one of America's finest directors. The script is solid enough, with many Hawksian themes evident; and it's nice to see the three lady characters be important to the story, but the cast put around Wayne are poor and out of their depth and this rubs off on the normally professional Wayne who finds he has nothing to act off of. It's not a total stinker, tho, certainly Clothier's photography and Goldsmith's score are worthy of investing time with, and the lead off sequence involving the train robbery is well put together and stirs the adrenalin. Sadly the film is never able to reach those heights again, with the ending being a rather tame affair that doesn't do justice to the bitter revenge tone that Hawks has steered the film towards. Of the sub-standard support cast there's only Jack Elam who is worth watching, be it for comedy value or for just giving it some gusto. All told the film just about comes out as watchable Sunday afternoon fodder. A running theme in the film sees fun poked at the ageing Wayne's expense, one of which involves the word comfortable. That is an apt word to use for Rio Lobo, because director and star are in the comfort zone, comfortably making an unchallenging and old hat movie. 5/10
There are really only two things to speak of with this: Tommy Tedesco's lovely guitar solo of Jerry Goldsmith's theme and Jack Elam is perfectly cast as the cantankerous whisky-swilling "Mr Phillips". Otherwise, it's just a routine outing for John Wayne (and Howard Hawks) who pretty much bears the weight of the film. Jorge Rivero; Jennifer O'Neill and Christopher Mitchum make up the numbers. The story is fun - a Yankee colonel meets up after the Civil war with two former Confederate officers to track down a man who had been selling secrets during the war and we have a few, predictable, adventures en route to an explosive climax.
A gunfighter with a reputation as a fast gun almost kills an innocent child. He makes up his mind that he is not going to carry around loaded weapons anymore, but when he's asked to become sheriff of a lawless town, he compromises by carrying an unloaded pistol and relying on his reputation to keep order.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
Helen Williams, lured to a wild cattle-town on the promise of a job learns that the job she has is not the kind she thought she had, and finds herself selling drinks and dancing with drunk cowboys in the saloon. She meets Jim Blake, the rough-and-ready foreman of the Bar-X Ranch and they fall in love. And face more than a few problems on the way to getting married.
After killing a man in self defense over a poker game, Wild Bill Elliott turns outlaw in order to escape a lynch mob.
A former sheriff begins to persecute the gang led by Pedro Ortiz, after his wife is taken away.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
In early spring of 1833, the smoldering resentment of American settlers in Texas against their oppression by Mexico dictator General Santa Anna/Ana coming to a head. When a decree is issued that no more Americans may enter Texas, William H. Wharton, fiery head of a faction determined on independence or nothing, warns Stephen F. Austin that the time for half-measures is past. Austin, responsible for bringing the Americans to Texas as colonists, reminds Wharton that a settler's revolt against Mexico would dishonor his name and the arrangements he had with the Mexican government. He gets the "Whartonites" to agree to a general convention of all colonists. Almerian Dickinson, biggest land owner in the settlement of Gonzales, deeply in love with his wife Anne, warns Wharton that a bloody revolt would endanger every wife and mother in the colony. He proposes they send Austin to Mexico City to ask Santa Anna to grant Texans a voice in their own government.
A sheriff and his posse set out to catch a murderer, but their mission proves more dangerous than anyone suspected after they become stranded in the desert and attacked by Apaches.