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Bury those quitters! Tom Dunson is a self made cattle baron, he will do what ever it takes to protect the life he has made for himself. The constant fall in the value of livestock means that Tom, and his adopted son Matthew, must drive the gathered herd through the perilous Chisholm Trail, and then hope to get good value for the beef. With their assembled group of hands they head off North, but many problems will come their way, not least, a fallout due to Dunson's tyrannical ways, meaning there could well be mutiny on the range. Without a shadow of doubt, Red River is one of the greatest Westerns ever made, boasting incredible performances from the cast, directed with sumptuous skill by Howard Hawks and photographed as good as any film in the genre. Based on the novel The Chisholm Trail written by Borden Chase (also co writing duties for the film), Red River is a sweeping spectacle that doesn't have a frame that's wasted. Hawks (this his first Western) frames his wonderfully vivid characters in lush expansive landscapes, fleshing them out amongst the constant stream of drama and action. Though Chase would be annoyed at the changes Hawks made to the story, he surely would have marvelled at the finished product, with Harlan's photography in and around the Arizona's locales capturing a cowboys terrain expertly, while Dimitri Tiomkin's score stirs the blood and pumps the viewer with Cowboy adrenaline. If anyone doubts John Wayne as an actor of note then they need look no further than his performance here as Dunson. Tough and durable in essence the character is for sure, but Wayne manages to fuse those traits with a believable earthy determination that layers the character perfectly. With Wayne all the way, matching him stride for stride is Montgomery Clift as Matthew Garth, sensitive without being overly so, it's the perfect foil to Wayne's machismo barnstorming. Walter Brennan and John Ireland also shine bright in support, while a special mention has to go to a wonderful turn from Joanne Dru as Tess Millay, for Howard Hawks' CV shows a ream of strong female characters, and here Dru firmly puts herself in amongst the best of them - check out her first appearance alongside Clift, it's precious. Red River made a fortune upon its release, it was revered by the critics back then, and it's still being revered today. Rightly so, because it is quite simply magic cinema, a case where everything comes together perfectly, it's in short, a film that even none Western fans should be able to marvel at as entertainment. Or? at the very least give credit to the Tech accomplishments on offer. 10/10
Perhaps not a film you'd expect to work given the stars, but John Wayne and Monty Clift do manage to convey a sense of a repectful, but loving relationship - something I don't recall ever seeing before (or since) in a Wayne film towards another man. Hawks takes us on a dirty, unrelenting cattle drive and we can almost feel the strains and tension build as the younger man rails against the almost brutal control of his father-figure. Walter Brennan, as ever, is superb but in this has a little more nuanced a role treading a fine line between his old friend and their younger protégé. The photography really does demonstrate just how tough the whole enterprise would have been for the real cattle drivers and the denouement is superbly staged. A truly epic example of the Western genre that is as good as it gets.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
Three New York businessmen decide to take a "Wild West" vacation that turns out not to be the relaxing vacation they had envisioned.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Peterson has a plan to obtain all the ranches in the valley. He gives Carson a phony Spanish land grant and has him pose as the Mexican owner. When Fred and Fuzzy have their cattle stolen by Peterson's men, they quickly become involved in the scheme.
Dusty is a small burro living a quiet life with her elderly master, a farmer in Mexico, until two men sneak onto the farm and steal her. They use the animal to help them rustle cattle. Dusty carries their water and other supplies, but the men are cruel and mistreat the burro, allowing her little water and feed. Tired of this mistreatment, Dusty strains to break free of the hobbles used to control her. Starring Bill Keys as Andy, Bill Pace as a Rustler and Jim Burch as a Rustler.
John Smith is a mysterious stranger who is drawn into a vicious war between two Prohibition-era gangs. In a dangerous game, he switches allegiances from one to another, offering his services to the highest bidder. As the death toll mounts, Smith takes the law into his own hands in a deadly race to stay alive.
Stodge City is in the grip of the Rumpo Kid and his gang. Mistaken identity again takes a hand as a 'sanitary engineer' named Marshal P. Knutt is mistaken for a law marshal. Being the conscientious sort, Marshal tries to help the town get rid of Rumpo, and a showdown is inevitable. Marshal has two aids—revenge-seeking Annie Oakley and his sanitary expertise.
An orphaned young girl conjures an executed soldier back from the dead, and together they deliver hell in the Blackfoot territory of the late-1800s.
A man seeks revenge on the bigot who shot his wife to death in 1880s Texas.