Alam Ara

A caliph imprisons the cobbler's son his daughter has fallen in love with, but the cobbler's discovery of a treasure cave may be the key to freeing his son.

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.

A centuries-lasting relationship between Ayesha and her oft-reincarnated true love. She, H. Rider Haggard's fanciful novel about the immortal queen of a lost tribe, has been filmed at least 10 times, with seven versions emerging between the years 1910 and 1930.

Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.

L. Frank Baum would appear in a white suit and present his live actors, slide shows and films as a live travelogue presentation of his popular fantasies. Highlights include Dorothy being swept to Oz in various ways, such as with back-projection tornadoes and storms in a chicken coop. Lack of financial backing forced the show to fold after appearing in only two cities, despite being a critical and commercial success. This film is lost.

A Faust-like meringue involving a wealthy Count who enters into a deal with the Devil: for every soul he delivers to Satan, the count will be granted an extra year of life. One of the count's victims, an artist named Rodolphe, dedicates his life to punishing the nobleman, a mission he accomplishes with the help of the beautiful Fairy Queen.

An abandoned baby is saved by a river god. Now aged 20, she yearns to see the world outside the water.

Dorothy and the Scarecrow are now in the Emerald City. They have become friendly with the Wizard, and together with the woodman, the cowardly lion, and several new creations equally delightful, they journey through Oz - the earthquake - and into the glass city. The Scarecrow is elated to think he is going to get his brains at last and be like other men are; the Tin-Woodman is bent upon getting a heart, and the cowardly lion pleads with the great Oz for courage. All these are granted by his Highness. Dorothy picks the princess. - The Dangerous Mangaboos. - Into the black pit, and out again. We then see Jim, the cab horse, and myriads of pleasant surprises that hold and fascinate.

John Dough gives his assistance in the celebration of the Fourth. No end of trouble results from the invasion of his peaceful rest by the much-despised Miffkits. Then comes the cherub, who introduces Dough to his animal friends, incidentally secures supplies. He then visits the fairies' garden and later interviews the Princess Ozma, who makes a prophecy: "The throne of Lo-Hi shall vacant be until the coming by air or sea of an oven baked man and a Cherub wee." Accordingly John Dough drops into the Land of Oz and meets the Cherub.

Short lost Australian film based on the story of Cinderella