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Aside from the fact that this was made at the height of the Third Reich - so it's underlying politic of the might of the German people and it's heroes it to be assumed, this is a rather dry and unremarkably sterile depiction of the eponymous statesman who worked with Wilhelm I of Prussia (Friedrich Kayßler) to create the German Imperial state. It tries to pack far too much over-simplified history into two hours and the portrayal of Bismarck himself by an underwhelming Paul Hartmann leaves us amidst a story of turbulent history told as if it were a child's "Janet and John" book. The complexities of the relationships between the Hapsburg Austro-Hungarian empire, Russians, French and British are all rather overlooked and certainly undercooked as we spend much of the film in audience chambers watching a vacillating king or in a prevaricating parliament where nothing seems to count for very much - until our hero arrives to convince and save the day. It's almost entirely confined to a sound-stage so what few opportunities offered us to experience the military tactics of Moltke against the Danes or the Austrians are largely confined to a map or to the inside of a tent. The ending justifies the dramatic means - and we know that there was a unified German Empire born in 1871. It's a watchable enough historical biopic, but no effort is made to develop the characters and the story is about as dry and processional as it can be. It's hard to imagine this as a successful piece of jingoism, to be honest. It's completely forgettable.
One of the first ‘frogmen’ in the Navy Reserve fights to survive missions behind enemy lines and his own capture at the Mauthausen concentration camp.
After his father is murdered by the Nazis in 1938, a young Viennese Jew named Ferry Tobler flees to Prague, where he joins forces with another expatriate and a sympathetic Czech relief worker. Together with other Jewish refugees, the three make their way to Paris, and, after spending time in a French prison camp, eventually escape to Marseille, from where they hope to sail to a safe port
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
During the Nazi occupation of Rome in 1944, the leader of the Resistance is chased by the Nazis as he seeks refuge and a way to escape.
A young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II—in a Ukrainian village which was ultimately razed by the Nazis.
When an armed, masked gang enter a Manhattan bank, lock the doors and take hostages, the detective assigned to effect their release enters negotiations preoccupied with corruption charges he is facing.
The true story of pianist Władysław Szpilman's experiences in Warsaw during the Nazi occupation. When the Jews of the city find themselves forced into a ghetto, Szpilman finds work playing in a café; and when his family is deported in 1942, he stays behind, works for a while as a laborer, and eventually goes into hiding in the ruins of the war-torn city.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
In the ruins of post-WWII Berlin, a twelve-year-old boy is left to his own devices in order to help provide for his family.