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For her sophomore effort, Aishwaryaa Dhanush has come up with a film that is far removed from the bleak world of her solid debut, 3. Marking this departure from grim to grime is cinematographer R Velraj (whose name is used for a cop character); in place of the brooding visuals of 3, he gives Vai Raja Vai, a playful, sprightly thriller, a grungy look (most often) that calls attention to the dirty, dangerous world which the protagonist is dragged into. The film isn't perfect, far from it, it has a few weak spots that could have been disastrous but the confidence with which Aishwaryaa manages to narrate this story helps us tide over its issues. In a few swift strokes, Aishwaryaa gives us all that we need to know about her hero. Take away the element of ESP and Karthik (Gautham Karthik, effective) is just your normal middle class youngster with a modest job and an introvert attitude. But he has a loving family, an uncomplicated romance (Priya Anand playing his plant pathologist love interest) and clear-cut values that are his emotional support. While Aishwaryaa doesn't flesh out Karthik (or those around him) fully, we understand why he deems his power as both a gift and a curse. And Pandian aka Panda (Vivekh, continuing his career's comedian to character actor trajectory convincingly after Naan than Bala and Yennai Arindhaal), is quite a contrast to this character. He is flashy and self-possessed but scratch the surface and we get a sad loner with questionable morals. When Panda begins to understand Karthik's gift, he doesn't mind using it for his personal gains, even though the latter sees him as a friend. The manner in which he draws Karthik into his plan is done in a convincing manner and nicely sets things up for what is to come. Similarly, we also admire how Karthik manages to get the mercurial Randhai (Daniel Balaji, who, for a change, doesn't go over the top) out of his way. The pre-interval scene where Karthik demonstrates his power to Randhai is packed with energy and while nothing quite manages to pack in the same punch as this scene, Aishwaryaa keeps the story hopping along so there is hardly any dull stretch. The problem with Vai Raja Vai is that tonally, it is all over the place. One moment it is grungy, the next slick, then lighthearted and suddenly spoofy, so we never get a hold of what the film wants to be. And despite the under two-hour running time, the film feels 20 minute too long. The romantic track feels perfunctory and the picturisation of the songs have a 'Let's just get this over with' vibe and lack any personality. And for a film that deals with ESP, the screenplay is somewhat predictable and there are hardly any challenges for the hero to conquer. Even the casino sequence, for all the pre-release hype and the buildup it is given in the film, feels like an anti-climax. Thankfully, the climax makes up for this disappointment giving us a star turn in the form of Dhanush's special appearance and the actor has fun reprising Kokki Kumar, the impish gangster (who seems to have softened quite a bit) from Pudupettai. It is an ingenious move that would have been quite a pleasant surprise if only had the makers not revealed it in the trailers.
The portrait of two young women – a loving team that complements each other with all their habits and rituals like two puzzle pieces. This is a declaration of love of a couple – a snapshot of their present and a speculation about our future, because what could happen if a piece of the puzzle is suddenly taken away?
Bardock, Son Goku's father, is a low-ranking Saiyan soldier who was given the power to see into the future by the last remaining alien on a planet he just destroyed. He witnesses the destruction of his race and must now do his best to stop Frieza's impending massacre.
Near future. Giovanni is one of the creators of a special elixir that regenerates cells. The human being has overcome the greatest limit: mortality. It's his 217th birthday, and his wife Annie has organized a surprise party with their loved ones. Unfortunately, their son Alan is not in the mood to celebrate.
Takumi Kijima is an art student who has closed his heart off after having lost both parents. One day, a witch appears before him and bestows upon Takumi an Ork Stone, an object that grants its user the power to see the future. In one vision, Takumi sees his childhood friend Nozomi Shirai being killed by a mysterious red creature named Gowm. To prevent such a future from happening, Takumi transforms into Ork in order to fight Gowm and protect Nozomi.
The world is on the brink of major social and economic collapse, and powerful billionnaire Malcolm Hunt has the solution. Malcolm invites eight 'candidates' to a house in the country for a weekend adn each must prove themselves worthy of attending a prestigious world summit call 'Advanced Earth'. But when they awake on their frst morning in the house, the candidates fnd themselves trapped, cut off from the outside world, and the true, terrifying purpose of Advanced Earth is revealed...
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
The story of life on our planet by the man who has seen more of the natural world than any other. In more than 90 years, Attenborough has visited every continent on the globe, exploring the wild places of our planet and documenting the living world in all its variety and wonder. Addressing the biggest challenges facing life on our planet, the film offers a powerful message of hope for future generations.
An Orange County teenager's carefree life of ditching class and skateboarding abandoned pools comes to a screeching halt when someone close to him dies. The cops rule the death a suicide, but the bereaved skater believes he was murdered. It's up to him to solve the case, with a skateboard.
Spanning over one thousand years, and three parallel stories, The Fountain is a story of love, death, spirituality, and the fragility of our existence in this world.