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World War II is over and Heinrich, a young German boy, influenced by the Russians, starts to act according to Communist principles in a small German village.
Something in his past keeps career Army man John Paul Vann from advancing past colonel. He views being sent to Vietnam as part of the US military advisory force a stepping stone to promotion. However, he disagrees vocally (and on the record) with the way the war is being run and is forced to leave the military. Returning to Vietnam as a civilian working with the Army, he comes to despise some South Vietnamese officers while he takes charge of some of the U.S. forces and continues his liaisons with Vietnamese women.
High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.
The men of Bravo Company are facing a battle that's all uphill… up Hamburger Hill. Fourteen war-weary soldiers are battling for a mud-covered mound of earth so named because it chews up soldiers like chopped meat. They are fighting for their country, their fellow soldiers and their lives. War is hell, but this is worse. Hamburger Hill tells it the way it was, the way it really was. It's a raw, gritty and totally unrelenting dramatic depiction of one of the fiercest battles of America's bloodiest war. This happened. Hamburger Hill - war at its worst, men at their best.
19-year-old NVA soldier, Alex Karow, is sent to the West German-East German border in May 1974, shortly after Willy Brandt's resignation and during the World Cup. The army is dominated by brutal rituals, tolerated or used by the officers. Alex understands that the ideals of balance, democracy and human dignity are propaganda. The question of what happens when the other appears in the sights of the Kalashnikov occupies the soldiers day and night, interrupted almost exclusively by the games of the World Cup with the historic encounter between the GDR and the FRG. Alex draws strength from his love for Christine, a confident tractor driver who lives in the neighbouring village. Christine encourages him not to do what his father expects, but to follow his dream of becoming a photographer. But when her brother sends Alex's photo from the border fortifications to the West, everything gets out of control...
Sister Agnes helps in all situations and does not only make friends. She has just fallen out with the new mayor. The consequences leave an entire community upside down.
Set against the backdrop of post-unification Germany, the film explores the breakdown of relations in a decaying social structure.
15-year old Klaus Kambor, called Kurbel, is living in a village in Lusatia and already thinks of himself as an adult. He can hold a lot of rhubarb wine and has already kissed a girl. But with his new method of lawn mowing, which he thinks is brilliant, Klaus makes a big mistake: He causes a wild fire in the forest. Then he does not react adult-like at all, but shirks the responsibility, which leads to the break-up with his girlfriend Daniela. Furthermore, Klaus does not realize that several of the places he likes the most in his environment are now going to be sacrificed to mining. When Klaus becomes friends with the teacher Konzak and with the construction worker Jule, he feels understood for the first time and starts to take more responsibility.
The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested. The small band of smugglers disperses, with Gustav’s chauffer Peter Naumann fleeing to the West and his sister choosing the East after struggling to find work and lodging in the West.
At the end of the 1950s, the production of optics in the German Democratic Republic has reached top quality and instigates interest in the West. When national demand rises strongly and at the same time the export to South America heavily decreases, the Volkspolizei - the GDR police force - starts to look into the case. Two seemingly unrelated cases are the starting point for the investigation by second lieutenant Schellenberg of the department for optics racketeering: An old woman who was arrested in the Berlin city railway for trying to smuggle a pair of binoculars to West Berlin, and a dead person in an area of allotments who was involved in obscure dealings with optical devices.