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The meat grinder effect. Unfairly forgotten and left in the slipstream of critical darlings Platoon and Full Metal Jacket, Hamburger Hill can proudly fly its own worthwhile flag. There's nothing preachy or political here, director John Irvin and writer James Carabatsos approach the subject with a refreshing humane honesty, making us viewers privy to the American soldiers mindset as they cope with life in Vietnam before an assault on some turd pile strategic hill, a battle that the survivors of that particular bloody conflict would call Hamburger Hill. No matter what one feels about the war, the politics of such etc, the fact that quite often Vietnam films zoom in on the misdemeanours and egotistical sides of the American presence in Vietnam, tends to detract from the bravery of men and boys who were doing the job their government decreed they should do. Hamburger Hill addresses this, proudly so. Pace is deliberate and literate, building up to the assault on Hill 937, with little slices of kinetic action inserted along the way to tantalise and torment in equal measure. Not all the acting is smart, there's a cast of up and coming thesps on show that features some who have gone on to be "name" actors, while others that were out of their depth subsequently found a level more befitting their abilities. Yet this is also a cunning tactic in the film's favour, no stars needed here, young adult actors without baggage or headlines kind of feels appropriate for this portrayal of soldiers in an alien world, many of whom would lay their shattered bodies down in the mud at Hamburger Hill. 8/10
Courtney B. Vance was kind of all over the place in this wasn't he? One moment he's an over-the-top make everything political racist, and the next moment he actually cares about everyone... and then it's back to nothing but race... and then he cares about people. He really needed to pick a direction and roll with it, because he came across as going too places at once. But otherwise this is the forgotten cousin of Platoon. It's not exactly as good as Platoon, but it is more solid start-to-finish than Full Metal Jacket was. The strength really comes from an attempt to depict the events without really making anything heroic, or action-hero dramatic. And, instead, they do their best to make it just a straight war movie. No great odyssey, no moral point, no real views on Vietnam as opposed to other wars. Just a straight war movie and nothing. It's not unlike Saving Private Ryan, in which the film is able to make both a pro-soldier statement while also being anti-war. It's a fine line to walk, but they do it with the skill needed to both show absolute brutality, and the humanity of soldiers that are put in that horrible situation.
Blown Away tells the story of Jimmy Dove, who works for the Boston bomb squad. Shortly after Dove leaves the force, his partner is killed by a bomb that Dove thinks might have been made by someone he knows.
Inspired by true events, this film takes place in Rwanda in the 1990s when more than a million Tutsis were killed in a genocide that went mostly unnoticed by the rest of the world. Hotel owner Paul Rusesabagina houses over a thousand refuges in his hotel in attempt to save their lives.
Paradise Found is a biography about the painter Paul Gauguin. Focusing on his personal conflict between citizen life and his family life and the art scene in Frane. In an incredible imagery montage Gauguin manages to make a successful living in the South Pacific, while being in opposition to France.
Two victims of traumatized childhoods become lovers and serial murderers irresponsibly glorified by the mass media.
Blind traveler Zatoichi is a master swordsman and a masseur with a fondness for gambling on dice games. When he arrives in a village torn apart by warring gangs, he sets out to protect the townspeople.
Arvid is an ordinary bank clerk who lives a rather unassuming life with his dear girlfriend. But his life is turned completely upside down when he bravely manages to avert a robbery against the bank where he works.
An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
A man transforms into his primordial being. He sees two things in the world. Pleasure and Blood. One might say he is the wolf. After two cops are demoted from the force to a new Parks Protection Unit, Keon Lennedy (Orlando Torres) and Marquis Sinclair (Logan Serna) must now hunt down a beast that has spawned in the woods after two cameramen(Alex Ceja and Brandon Hay) tampered with the environment.
A group of German boys are ordered to protect a small bridge in their home village during the waning months of the second world war. Truckloads of defeated, cynical Wehrmacht soldiers flee the approaching American troops, but the boys, full of enthusiasm for the "blood and honor" Nazi ideology, stay to defend the useless bridge. The film is based on a West German anti-war novel of the same name, written by Gregor Dorfmeister.
After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, The Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, The Butcher returns to Paris to find his daughter.
After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.