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Back in the 70's, The Runaways was one of the first all-girl rock bands, initiated by then 16-year-old Joan Jett, who later went on to gain world fame with her band The Blackhearts. Now, I might be somewhat biased on this particular subject, because I am a huge fan of 70's (punk)rock, and especially female rock artists, but I am also a very critical film reviewer. The Runaways therefore, leaves me feeling in limbo. I love musical biopics as much as I love the music itself, and since The Runaways falls exactly into my favourite genre of music, I thought this film would be nothing other than a win-win flick for me. However, I felt rather quickly discouraged from the build-up on. When you are telling a true-to-life story, I consider it an important issue to let the audience know who we're dealing with, what's going on and perhaps most importantly, why. These are real people and I want to know why they are who they are, and what motivated them to walk their chosen path in life. The film starts off with alternating scenes of Joan Jett and her soon to be band mate Cherie Currie. Doing stuff that, well... isn't that interesting. It doesn't tell us much about these girls except that they like punk rock and David Bowie. Honestly, having only seen the film last night, it's all I can remember about the first 15 minutes or so. And so the film continues. They form a band, are taken under the wing of weirdo record producer/manager Kim Fowley, become famous and at some point, break up. The way director Floria Sigismondi tells the story, you'd think it was actually that easy. And this is exactly where the problem lies: bad direction. Possibly even worse editing and screenplay. We are given almost zero back-story of the lives of these young girls, and strangely, literally nothing at all about the personal life of Joan Jett. What makes it even stranger is the fact that the real Joan Jett was actually executive producer of this film, which completely puzzles me considering her part was so badly written. Her character comes across as not much more than a bystander in her own story. At least we're offered snippets of information about Cherie Currie. We know that she comes from an instable family and that her sister (who is in fact her twin – something I had to learn from Wikipedia since it's never told in the film...) is the only one she is at least somewhat close to. Again though, strangely, what is never told here is that this girl was raped when she was 14 – an incident which strongly determined the person she would become later on. Very weird to leave out of a biopic. It is my understanding that the rest of the band didn't give permission for their life story to be used in the film, and it shows. On the one hand, it's a shame because the back-story of the band is already so badly underexposed. On the other, I can't blame them, because this film would have done them no justice whatsoever. The story of The Runaways is told as though it all happened overnight: formation, fame, break-up; in what feels like no more than a short year maybe. When in fact they released four albums, three of which with Cherie. Truly awful screenplay. The actors though, are not at all to blame. Kristen Stewart embodies Joan Jett perfectly, she's got the looks, the voice (she sings all her parts herself) and the swagger. Dakota Fanning as Cherie does a very good job also. Although she may not look or sound that much like the real Cherie Currie, her acting more than makes up for it. But then again, anyone who's seen Dakota before, whether as a child actor or teenager, already knows she's a very convincing young actress. The rest of the band, much like their characters, are barely there to be noticed... The part of Kim Fowley is played by Michael Shannon, and he approaches it with a "love it or hate it" attitude. Personally, I think he was an absolute scene-stealer (which is not necessarily a good thing, because obviously this film is not about him – though it is the direction that is to blame, not the actor), acting completely over the top, crude, and horribly inappropriate. Though I can see why some people absolutely hated his character. Simple: there is nothing likable about him. He's an a**hole, and a big one too. As an acting part however, it was obvious that Michael Shannon had a ball playing this guy, and I think that's what makes his role very enjoyable to watch. The actors really do make up for a lot in The Runaways. All parts are equally well-played and very enjoyable. But when the technical aspects of a film are this poor, not even the best actors in the world can make it a success. Zero story, zero character development, shoddy editing and, worst of all, not enough music! Probably the stupidest thing about the whole film – you'd think that, in a film about The Runaways, there'd be more than two or three original Runaways songs! Yet we have to listen to "Cherry Bomb" over and over again, and we get only titbits of their other songs. Sheesh. The Runaways may not have been the most groundbreaking band in history, but they certainly were a cool band of young rock chicks, and they deserved a better film than this one. I would say it's fun to watch once if you're into this kind of music, but that's it. Such a shame. _(February 2013)_
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".
Marie violates tradition in a small German town of Lauscha, to become the first female glassblower in in 1890. Her glass ball decorations find a new market in America.
Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.
The little nomad girl, Nansal, finds a baby dog in the Mongolian veld, who becomes her best friend - against all rejections of her parents. A story about a Mongolian family of nomads - their traditional way of life and the rising call of the City.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
In the 1970s, a young transgender woman called “Kitten” leaves her small Irish town for London in search of love, acceptance, and her long-lost mother.
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
A corrupt CIA agent Sands hires hitman El Mariachi to assassinate a Mexican general hired by a drug kingpin attempting a coup d'état of the President of Mexico.
In New York City in the days following the events of 9/11, Monty Brogan is a convicted drug dealer about to start a seven-year prison sentence, and his final hours of freedom are devoted to hanging out with his closest buddies and trying to prepare his girlfriend for his extended absence.
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.