The Last Man on the Moon

Before the court of the Inquisition, the scientist Galileo defends his position in favor of Copernicus' thesis that the Earth revolves around the sun.

As the Space Race ensues, seven pilots set off on a path to become the first American astronauts to enter space. However, the road to making history brings forth momentous challenges.

The moon is familiar; she watches over us. The Moon is our only natural satellite. Appearing in our skies some 4.5 million years ago following a collision between the Earth and a nomad planet, she chose to remain in our orbit. She influences life much more than we imagine and was probably the reason why life first appeared on Earth. She raises the oceans, serves as a biological clock for the reproduction of certain species and is the driving force for animal migrations. As long as 4 million years ago she caused a 500-meter-high tide of lava. From India to Australia, from the bay of the Mont Saint Michel to Papuasia, or in the sacred pits of the Mayas in Mexico, we have a date wherever the Moon shows her face.

Walter Bonatti is THE mountaineering legend, capable of meeting the great challenges of mountaineering: K2, Drus, G4, Matterhorn, to name a few. But the summits reached are not points of arrival, they are intermediate stages which then push him on a journey around the world, in search of himself. His exploration, starting from the vertical walls, then moved towards horizontal paths and was always expressed towards the interior space where our fears and our desires reside. Where the man, sitting alone in front of himself, must decide to surpass himself or to adapt. And Walter never complied with them, he wrote his own rules and followed them all his life, allowing himself no loopholes or shortcuts. He built himself as a mountaineer, as an explorer, as a photojournalist and as a writer, but always and only with the intention of being an uncompromising man with his hands, his muscles, his heart and his head.

A portrait of photographer Abisag Tüllmann (1935-1996). Abisag Tüllmann’s photographs have become deeply engraved into our cultural memory. Using more than 500 black-and-white photos, all of which taken by Abisag Tüllmann, this cinematic tribute places her life and work in the context of the 1960s to the 1990s. Claudia von Alemann tries to get close to her friend via pictures and archival documents, excerpts from films by Carola Benninghoven, Helke Sander, Alexander Kluge, Günther Hörmann, and Ulrich Schamoni, via the music of composer José Luis de Delás, and via letters and memories, such as those of photographer Barbara Klemm, who still vividly remembers her former Frankfurt colleague.

Follows dub poet master Linton Kwesi Johnson out of the recording studio onto the Brixton streets.

Amsterdam, Netherlands, 1944, during World War II. Andries Riphagen, a powerful underworld boss, has made his fortune by putting his many criminal talents at the service of the Nazi occupiers. But the long battle is about to end and the freedom fighters, who have been persecuted and murdered for years, are abandoning their hideouts to mercilessly hunt down those who have collaborated with the killers.

In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.

Simona Kossak - daughter of the painter Jerzy Kossak and granddaughter of Wojciech - deprived of the talent that has defined her family for generations, grows up without knowing the warmth of her despotic mother. When, after graduation, she leaves everything - home, tradition, social conventions - and takes up a job as a scientist in Białowieża, she starts life on her own terms.