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Weekends with Jonathan Capehart - (Sep 1st)
Penn and Teller- Bull - (Aug 31st)
Match of the Day - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
Michael Portillos Long Weekends - (Aug 31st)
The Voice UK - (Aug 31st)
Casualty - (Aug 31st)
The Hit List - (Aug 31st)
Saturday Kitchen Live - (Aug 31st)
The Sherry Vine Variety Show - (Aug 31st)
Symons Dinners Cooking Out - (Aug 31st)
Camp Wannakiki - (Aug 31st)
We Three Queens - (Aug 31st)
Ms. Pat Settles It - (Aug 31st)
CrimeCam 24-7 - (Aug 31st)
Lucky - (Aug 31st)
James Martins Saturday Morning - (Aug 31st)
Made in Korea- The K-Pop Experience - (Aug 31st)
Lets Make a Deal - (Aug 31st)
The Chris McCausland Show - (Aug 31st)
This is a colourful depiction of the antics of the "Frake" family - "Abel" (Charles Winninger), his wife "Melissa" (Fay Bainter) and their teenage children "Wayne" (Dick Haymes) and "Margy" (Jeanne Crain) at the annual Iowa State Fair. The fair itself offers an excellent vehicle for loads of storylines from some lovelorn pig husbandry and mincemeat tasting through the usual boy loves girl loves other boy - or in his case - man (Dana Andrews) for daughter "Margy" and Wayne has the hots for big band starlet "Emily" (Vivian Blaine). The story proceeds along predictable lines, with some characterful efforts from a decent supporting cast - Harry Morgan running a crooked stall and Donald Meek's penchant for his food tasting duties spring to mind, and Rodgers and Hammerstein provide us with the memorable "It Might as Well be Spring" as well as the toe-tapping "It's a Grand Night for Singing" to keep it moving along nicely. It's an unashamed piece of Americana, this: smiles, chintz and cheese - lots and lots of cheese. The writing, at times quite amusing, lacks anything to accompany the songs though - it's all just a little bit thin, twee even. Crain, Andrews and a slightly clunky Haymes are efficient, but their constant romanic shenanigans started to get a bit on the dull side after a while - for me, anyway. It's an interesting observation of just how rural folks got their entertainment back then but the story isn't one of Hammerstein's best. Enjoyable enough to watch though, but it hasn't quite the style of the Gaynor/Foster version from twelve years earlier.
A musical love letter and tribute to the victims in horror films that didn’t make it to the sequel. In an anthemic song the dead unite across genres and time.
The story details the misadventures of two itinerant songwriters named Duke (Crosby) and Cliff (Foy) as they try to survive Army boot camp. Intending to boost the morale of their fellow draftees, our heroes stage a big musical show, which they eventually hope will graduate to Broadway.
In this wartime musical, a feisty singer working in a London dive swears that she will become a star. She gets a job in an airplane plant when she learns that her fiance, a producer, and his partner are looking for new talent at the war factories. While working there, the woman meets a handsome RAF officer and falls in love. This causes some trouble.
In this musical, a con man makes a good living by promoting bogus charity shows. He gets the communities all revved up and then skips town with all their money. But then he meets three earnest people wanting to garner financial support for an orphanage. This time the con man's loyal assistant finally catches on to the wicked scam and turns him in to the police. Meanwhile, the newly reformed assistant and one of the charity workers fall in loves.
In this musical, an ambitious young singer and her band leave their small hometown to head for the Big Apple in hopes of finding fame and fortune.
A budding entrepreneur nearly loses everything after his get-rich quick scheme selling "flunk" insurance to his fellow students goes terribly awry.
In this musical comedy, two star-struck small town kids head for the Big Apple and become famous for their jitterbug act. Their fame doesn't last long, but they had fun anyway. Songs include: "Baltimore Bubble," "Gingham Gown," "Just a Bore," "Wasn't It You," "Kaneski Waltz" (Frank Skinner, Charles Henderson).
Bandleader Tim Hartley's father objects strongly to his son's occupation choice and packs him off to Hawaii to manage the family hotel holdings. This proves to be a wrong move as Hawaiia has more bands than it does pineapples.